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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor
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Co-op Opera: Don Giovanni

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In a week when Prince Harry's buttocks and a rowdy party were the topic of discussion, the opportunity to see young opera performers in an English modernisation of Don Giovanni cavort and brag about conquests seemed rather relevant. This Don Giovanni may not be royalty but he is a bit of a lad and the women he seeks look like they could be found at a Vegas pool party. It is probably a little too faithful to the Mozart's original which does tend to be confusing, but things move along at a pace you find yourself not minding it too much. Helping things is the energy and enthusiasm coming from the cast of young opera singers. The Co-Opera Company is made up of members and associate members who wish to pass on their expertise to the next generation of performers. The company exists to provide aspiring artists a start in their career on stage, in the orchestra or behind the scenes. They are into their fourth season and they manage to do with no outside funding. While perhaps after
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Hot August Nights: Drag Divas

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If you have been wondering where you could see a live all-singing all-dancing tribute show to the worlds greatest divas performed by a bunch of blokes, then you could do with catching Drag Divas , which is having a short run at the Arts Theatre in Leicester Square. It has been always a bit difficult to see a drag show in central London as the local punters don't seem to go for that sort of thing... But it is great to see there is at least for the moment a place in the West End where you can go for a late night camp fix that doesn't take itself too seriously and gives a touch of hoary glamour to theatreland this summer. The show is billed as being "Fierce. Fabulous. Fearless" and this could apply to both the divas and the drag performers as they come out and sing live in front of an audience that has already had a drink or three and has been warmed up by drag compere Mrs Moore. But what they may lack in the vocal department, they make up for with some impressive costu
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Life in London: Olympic bubbles and musings

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The Olympics have finished and for those who stayed in London it was a dream. The city was quiet, traffic was minimal, the tube seemed empty when I needed it and people were in a jolly mood. There was some seriously good sport to watch and so in a break from theatre I took the chance to see what drama was on offer of the muscle, sweat and lycra kind.
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Art: Yoko Ono smiles and light reflections

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The Serpentine Gallery is currently showing Yoko Ono's To the Light . It is an opportunity to view new installations and films from Ono and escape what has been a busy summer period of sports. One of the things that keeps recurring as a theme is the role of the artist and the viewer, along with perspectives on peace, war and happiness. It is hard not to like an exhibition that makes you take your shoes off and get lost in a maze to the amusement of others in the gallery, or watch a collection of smooth and hairy bottoms move about. As the above video clip notes, technology has finally caught up with many of Yoko Ono's more ambitious ideas and this one is to capture the smiling face shot of everyone in the world. You are invited to sit down and have a photo taken and then it will be posted onto the Flickr page for #smilesfilm . It is bound to have you leave the gallery smiling, unless you are horrified by the results of your mug shot blown up on a giant video screen by the doo
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Life in London: Ring in the show

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It's about to get a bit quiet on the cultural front for a few weeks while some major sporting event takes place in our fair city. However before things calm down culturally, anyone in London this morning should get their bells ready for 8.12am to ring them as part of All the Bells. Of course there are loads of other Cultural Olympiad events, but in a city so full of it, here is one cultural event you could experience in the comfort of your own bed... Whether it is a bicycle bell, a ringtone, an alarm clock or a church bell... Get ready to ring it for three minutes. Don't ask why. It is just culture... And you can say you took part in the big boing...
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Compelling tragedies: Otello

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Opening night of Verdi's Otello at the Royal Opera House was a thrilling affair. Passion, rage and jealousy explode from this piece from the start. Conductor  Antonio Pappano  makes the most of both the drama and tenderness of the piece as it ebbs and flows. One moment of intensity and emotion gives way to another so delicate and light. Aleksandrs Antonenko is terrific in the title role as the doomed hero and strikes the right balance and tone between tenderness and fury that makes the drama coherent and believable. There was some fine music making between him and Anja Harteros, who plays Desmemona his wife, as they move from a delicate love duet towards a darker sinister end. It is hard to believe that within two hours they sing about love and then damnation, but here they are complimentary. Lucio Gallo was sublime as the evil Iago who orchestrates it all. At the curtain it was hard to tell whether cheering or hissing at his evil brilliance would have been more appropriate
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Horsing around the UK: Dandy Dick

Dandy Dick is a mild Victorian farce that is full of energy and wit that you can't help but have a very civilised time. It was written in 1887 by Sir Arthur Wing Pinero and cheap laughs and farce are a priority over satire of witty observations. But it so well-acted and pulled off so stylishly that it is hard not to like, particularly in Richmond Theatre. It is the fist major revival for forty years and tells the story of a the Very Reverend Augustin Jedd, who after a visit from his gambling mad and horsey sister, risks everything at the races. Cue the shenanigans of mistaken identity, runaway horses, romantic intrigue and mystery. There are some wonderful lines about horse meat that obviously had a more innocent meaning at the time they were written, but viewed from the present day conjure up a variety of interpretations. We weren't the only ones thinking this as one lady in front turned around at the interval and informed us that we had her sense of humour. The prod
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Last Look: Les Troyens

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Tonight is the last chance to see Berlioz's Les Troyens at The Royal Opera . It is an event: an epic opera with some grand spectacle to match. However at nearly six hours (including two half hour intervals) you do need arrive prepared, which includes familiarising oneself with Berlioz's music. The piece is full of rousing choruses and delicate moments, but as a drama that hangs together like other Romantic operas it is not easy to take in at first listen. David McVicar's production makes things a little easier to appreciate with the spectacle and astonishing set designs by Es Devlin . Brush up on your Berlioz late Romantic period, refresh your knowledge of Virgil's Aeneid and go along for the ride... It may not come around too soon again...
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