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The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

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Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...
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Theatre: The Importance of Being Earnest The Musical

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The Importance of Being Earnest, The Musical currently playing at the Riverside Studios Hammersmith , turns out to be a nice little Christmas surprise. The show with a book by Douglas Livingstone and score by Adam McGuinness and Zia Moranne takes Oscar Wilde's play and turns it into a brisk and witty affair that captures the essence of the comedy while feeling like a distinct show in its own right.
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Music and Advertising: Millbank Tower

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In case you missed it, Millbank Tower earlier this week served as a showcase for a light show and performance by Deadmau5 to mark the launch of the new Nokia Lumia smartphone . Maybe this landmark building is getting a new groove (albeit through a phone and operating system that is a bit boxy)...
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Theatre: Crazy For You (and those legs)

After a successful run at Regents Park Open Air Theatre this summer, Crazy For You is now at the Novello Theatre. I saw it at Regents Park and was not so crazy about it then . Now in a theatre and away from evening chills, planes flying overhead and the occasional moth, it is a chance to ignore those distractions and focus on the vibrant singing and dancing, and spectacular costumes. There is so much energy on stage conveyed through a series of spectacular dances. Legs kick, flip and dance their way through nearly three hours of entertainment.  You will be exhausted just watching it.
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Theatre: A Round-Heeled Woman

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A Round-Heeled Woman has just transferred from the Riverside Studios to the Aldwych Theatre. It is an opportunity for Sharon Gless (of Cagney and Lacey fame) to portray through part monologue / part drama the true story of Jane Juska. Juska is a woman who placed an advertisement in the The New York Review of Books that read: "Before I turn 67 – next March – I would like to have a lot of sex with a man I like. If you want to talk first, Trollope works for me."  The play, which is based upon Juska's book, goes through some of the encounters that lead to love, heartbreak, rejection and laughs. The audience on Friday night was not prepared for the humiliation arising from this situation. There were audible gasps when one of her male suitors tells her why she needs to get some lubricant.  But the sharp wit and brutal incisiveness is frequently undermined by a superfluous supporting cast that have little to do, and a set so distracting that it has your mind wondering to ask q...
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Theatre: Revenge of The Grand Guignol

It was a bloody night at the Courtyard Theatre Hoxton where I finally managed to catch Theatre of the Damned's Revenge of the Grand Guignol. Well it is not all blood and gore, but these four stories all have enough thrills, laughs and shocks to have you and the ice within your favourite beverage all aquiver... So much so that when the lady in front of @johnnyfoxlondon and I blew her nose, we both jumped. Last year's show in Camden was great, but this year was even better with stories that are even more compelling and some great performances. There is a melodramatic story about a mad doctor, a pensioner with a buried secret, a long distance relationship gone wrong and a beautiful woman trapped in a munitions factory. All of the stories have in common the ability to turn something ordinary into the unusual. And through some rather clever lighting and sound effects, even when things seem fine, you were on the edge of your seat. The show is part of the London Horror Festi...
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Games: The Show Must Go On

 Thursday evening I found myself at the launch event for The Show Must Go On , which is a rather nifty little game that brings together opera, cheap laughs and the iOS platform. Given all three are favourites of mine I downloaded it . It is very cute and quite amusing little game, recreating Covent Garden and backstage at the Royal Opera when everything goes wrong. The game puts you in the shoes of a stage manager and includes a series of mini games. Within these you have to undertake a variety of back stage tasks in order for the show to go on. I particularly liked running over the rooftops of Covent Garden chasing sheet music and dodging pigeons. Depending on how well you do, depends on how good the show is. So far I have only created rubbish shows... The game might be trying to tell me something but I will ignore that for now and keep practicing... An interesting collaboration between the Royal Opera , including its sound technicians singers from the Jette Parker Young Arti...
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Theatre: Three Days in May

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Three Days In May, is about the period shortly after Churchill becomes Prime Minister in 1940 and when Britain contemplated whether throwing in the towel and negotiating peace with a stronger, more powerful Germany was an option. It is currently playing to healthy audiences at the Trafalgar Studios . An early surrender seems today to be an unthinkable prospect. But at the time France was powerless to stop the German invasion and worried that without surrendering they would be annhilated. The British were outnumbered and feared suffering a humiliating defeat at Dunkirk. The play therefore unfolds with this context and debate. There is nothing like a bit of Churchill to get people standing to attention nowadays and reflect upon glories past. Or at least perceived glories past. As the play notes, Churchill commented that he expected history to be kind to him as he intended to write it. So it is a shame that the play doesn't attempt to throw more grey on a dark period in the country...
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(Pop up) Theatre: Inzain

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Fine Artis Tree's production of Inzain under the railway arches at Queens Circus Battersea is an example of a great concept in bringing new theatre to the unlikeliest of places. The company specialises in pop up theatres and in this case is next door to a tile shop. It was a pity we didn't arrive earlier as the tile shop had closed and we could have done with some inspiration for our next mosaic, but we were somewhat distracted by the plethora of gastropubs in the Battersea area serving good quality food and had lingered longer than we should have over bangers and mash and burgers. The play is a two-hander by Leah Chillery , it tells the story of Zain who had a vision that he would become a player at Crystal Palace Football club and his battles with the club manager. The stage is set for battles over faith, entitlement and youth culture. And football. It is an interesting premise but the punches are often pulled. Also the vast space of a railway arch means that the audience ar...
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