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The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

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Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

Opera: Salome

Full frontal nudity, blood and violence never sounded and looked so good as it did in the Royal Opera's production of Salome which I caught last week. Richard Strauss based his one-act opera on Oscar Wilde's play, and gave his leading lady the enormous task of singing Wagnerian-like over a large orchestra, belting all the way. Angela Denoke in the title role could meet that task, although I was a little bewildered why she went from a delightful dinner party down to the cellar to speak to Jokanaan in the first place. Later, as Salome was dancing the dance of the seven veils, running from the dining room to the wash room, it felt more like dance of the seven rooms... Actually there were so many eccentricities in this production ranging from a cellar / basement that looked like a hospital, it was best not to think about these things too much... I did assume the executioner was naked due to the practicalities of having to wash all that blood off one's clothes. A nice little ...

Theatre: Lingua Franca lost in translation

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It always seems to be awfully warm when I head to the Finborough Theatre to see a show. Last year it was the excellent State Fair which is having another run at Trafalgar Studios. It was worth persevering with perspiration for that. This time around it was Peter Nichols's play Lingua Franca which alas, was not. This was a pity as the cast were great and there potentially was something interesting that could have emerged from the constant stream of monologues in search of a story. When you have a good cast with some great actors featuring I always assumed you could put up with them reading a phonebook. In this case, maybe the White Pages would have been better. The story is set in a language school in Florence in the 1950s, which is the backdrop for a series of mildly interesting stock characters. There are no real surprises in the story, except when two of the characters embraced in some frottage-like behaviour in the first act. By the time the play reaches its climax involving...

Hot news this week in London

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Ping pong tables are popping up around London this week and are free to play... Providing you return the bats and balls... It's one of the initiatives to get people playing more sport (possibly by blocking the walkway so you have no alternative)... Here's hoping we see surprise fencing tournaments start up next... Outdoor darts might be a step too far... It isn't an Olympic sport... Ping pong on Leather Lane in Farringdon Originally uploaded by  Ping! London

Theatre: Aspects of Love

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After a week away from London, I was back in town this week to see a preview with the West End Whingers and others of Andrew Lloyd Webber's Aspects of Love , being revived at the Menier Chocolate Factory . Some might say it is an odd sort of story with a few catchy tunes, others might say it is Lloyd Webber's best work... As I had not seen it before (and hadn't been out for a while since being away) I was keen to see this chamber musical. Well I was just to be out really but that's another matter. All told, I enjoyed the cast and the production. What works about this show is the cast and the production. It is a show centred around a few characters so it benefits from the small space. It could probably be a little smaller as there were the odd distractions of sets moving in and out like it was removal day... Given how close you are to the stage I did enjoy the the occasional sleight of hand such as when the daughter grows up in a song and gets replaced by an older ac...

One last look: Seven Deadly Sins

And of course, there was the little matter of the London Gay Men's Chorus concert The Seven Deadly Sins at the Roundhouse on the weekend. There is something satisfying about performing three concerts in a row and they get better every time... And you learn a few things about staying focussed, looking excited and keeping the energy levels (and fluids) up... This is a brief clip of the encore / playout music, recorded by a very enthusiastic member of the Saturday evening audience... There will be an appearance at Pride (and Europride in Poland), and then the next concert will be at Christmas...

Opera: Manon

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Last Tuesday night's opening night of Manon at the Royal Opera was a surprise. A four hour opera comique that was so engaging and so thrilling that you didn't care you had been there all evening watching the melodrama unfold, and you would not have minded staying longer... There is something very engaging about watching how somebody's choices in life lead to their own downfall... And of course there is great music, beautiful costumes and interesting sets... Some wonderful photos from the evening are on Intermezzo's blog . This is a new production of Jules Massenet's opera and while the story has been updated and made sexier by Laurent Pelly, the stars of the show were Anna Netrebko and Vittorio Grigolo  in the lead roles (featured above). Despite a high profile in both USA and Australia (something to do with a best selling crossover album and a stint on Dancing with the Stars), Grigolo was making his Royal Opera debut and from his arrival on stage you could feel...

Music: Out of the Piano

It's been a busy week with Seven Deadly Sins at the Roundhouse , but in amongst all the rehearsals I did get a chance to see the third Tim Williams Award for musical composition . It is a competition that presented 21 news compositions to lyrics taken from classical or established text, performed by various West End and sensible professionals... While 21 new compositions are bound to be a mixed bag, there were a few rough diamonds in here... The winning song by Christopher Hamilton called Burn and performed by Diannne Pilkington was one of those rare moments that just surprised the audience and had us bursting with laughter. There is a full podcast of the show on Musical Talk , or just some silly post show banter (much shorter too) from Audioboo... The next awards are in October. Here's hoping there are more comic songs... We can do with the laughs... Listen!

Scenes from a final rehearsal...

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Sweat and gluttony... Posted via email from paulinlondon's posterous