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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor
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Space travel’s a drag: Escape From Planet Trash @ThePleasance

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The Pleasance Theatre is transformed into a dump with Sink The Pink’s Escape From Planet Trash. A high-concept, camp yet environmentally friendly take on the traditional pantomime. It’s environmentally friendly as jokes were either recycled or used sparingly. But it’s hard not to like a show that puts drag queens in space in search of trash. Set a few decades into the future, a queer space exploration team go in search of some discarded materials on Planet Trash that they believe will help their mission. At least I think that’s what was the point. The plot wasn’t always easy to follow due to poor sound quality. But while on Plant Trash they stumble upon Ginger Johnson and her son (Davina Cumming), the last remaining humans on the doomed planet. And the doomed world turns out to be the former planet Earth which is now floating about in an interplanetary graveyard. Meanwhile, there is some sort of evil force lurking around as it turns out the Christmas is coming. While
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Talking pictures: Reputation @TheOtherPalace

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In the dog eat dog world of new musicals, a brand new one has arrived at the studio space of The Other Palace . It’s about the dog eat dog world of writers and plagiarism during the switch from silent pictures to talkies. A story about a small-time hoodlum who passes off scripts as his sounds like an excellent premise for a show. And some good parts make up the show. But probably not enough to take this show further in its current form. The good parts include the cast, which often high kicks and dances across the small stage. There’s Maddy Banks who plays Michelle. A young girl at a finishing school in France who spends her time in between learning how to be a proper lady writing her first screenplay. And Jeremy Secomb playing Freddy Larceny. A small-time crook, who passes off scripts as his own to Hollywood studios. And there’s Ed Wade as Archie the lawyer trying to trap Freddy in between making eyes for Michelle. Each of them have their moments throughout the piece. Alas, F
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Keep it gay: Soho Cinders @CharingCrossThr

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An alternative to Christmas panto season has landed at Charing Cross Theatre in the form of Soho Cinders. A Cinderella goes gay story with music by Stiles and Drewe. But something's a little queer with this adaptation. Catchy songs, humour and a great (although not very diverse) cast don't overcome what feels like a dated, awkward story. In this story set against the backdrop of the London Mayoral election, our Soho Cinders, Robbie (Luke Bayer) is working at a laundromat with his pal Velcro (Millie O'Connell). Somehow he manages to hook up at the notorious hook-up point Trafalgar Square (who knew?) with Mayoral candidate and ex-swimmer James Prince (Lewis Asquith). But the problem is the candidate already has a fiancé (Tori Hargreaves). And she's nice. It's hard to get too enthused about a relationship forged in the shadows of Nelson's column while his other half is waiting at home with a bottle of wine. To give the show it's panto feel, there a
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[title of show]: [Blank] @DonmarWarehouse

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From 100 scenes that run over 500 pages comes [Blank], which is currently running at the Donmar Warehouse . It’s a do it yourself play by Alice Birch where the production can choose the number of scenes and the order of them. Thumbing through the play text, I first assumed it would be an epic night out at the theatre. Thankfully Director Maria Aberg has chosen thirty of them, and the end result is an evocative and emotional journey of women on the margins of society. Or at least that’s what it seemed to me. It becomes a do-it-yourself play for the audience too as you begin to piece together the various characters before and start making connections about what you’re seeing. And as windows smash, crockery breaks or salty pasta gets eaten, what emerges are the struggles of a range of different women who find themselves in circumstances they cannot escape from. Women in prison, or a refuge, or selling themselves to get by. In the light of the #metoo era, which is hilariously put down
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No country for old men: The Ice Cream Boys @JSTheatre

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America has Trump, Britain has Boris, and South Africa had Jacob Zuma. Old men fade from power and eventually die, and no skeleton is left in the closet in the Ice Cream Boys by Gail Louw. For ninety minutes, they bitch and moan about the state of their country and the path their lives have taken. It just so happens that one of the men is Jacob Zuma, former President of South Africa. The other is Ronnie Kasrils, former Minister for Intelligence Services and critic of Zuma. It sets out in a breathtaking edge-of-your-seat way, both a historical and personal account of the struggles of the country. Full of passion and fire, it's currently playing at the Jermyn Street Theatre . The two men meet by chance in a hospital. Kasrils (Jack Klaff) is there to have a melanoma removed. Zuma (Andrew Francis) is there to have his prostate checked. They are in adjacent rooms tended to by a young nurse, Thandi, who lives in a township some distance away (Bu Kunene). For those familiar wit
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Low-calorie stories: Fast @ParkTheatre

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The pseudoscience of detox diets and fasting is given some historical context in Fast. Kate Barton's tale of Linda Hazzard, a quack doctor who inadvertently killed many of her patients is given the once over in this brisk adaptation of her life and crimes against science. It's a fascinating tale, but the roundabout way in which the story unfolds seems to undermine the tension, absurdities and horror of the story. It's currently playing at the Park Theatre . The piece centres around two wealthy English sisters travelling in Washington who stumble across Linda Hazzard's book, Fasting For The Cure Of Disease. The book is a curious polemic about how any disease can be treated through a series of fasting to cleanse the body of unspecified toxins. Available to read on the internet , it's like reading one of those self-published books on Amazon that has a curiously high number of five-star reviews. Hazzard was clearly ahead of her time. If she were alive today, she wou
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I know what you did last summer: Last Orders @ORLTheatre

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The Old Red Lion Theatre during the summer months is hot and oppressive at the best of times. But theatre troupe The Knock Knock Club decided to hold a seance and a ghost hunt at the venue to see if there was any truth the number of hauntings that people have reported. There's been a pub on the site of the Old Red Lion since 1415. Over the years, there's been reported sightings of spirits of the non-alcoholic kind.  There are enough witness accounts of a ghost on every floor of the venue. There's the ghost who likes the drama (but not lost Arthur Miller plays) on the theatre floor. There's the ghost at the bar level that wants to fling glassware and frighted the resident dog. And below the bar at cellar level, there's something like the gateway to the underworld that freaks everyone out. The show is part documentary about what the troupe did over the summer and part unearthing bizarre facts about the Old Red Lion. It's funny and intriguing as the te
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Racing with the clock: Tick, Tick... Boom! @BHTse20

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Watching Tick, Tick... Boom at the Bridge House Theatre , a play about young thirty-somethings in 1990 makes you realise that if they were alive today, they would be becoming sexagenarians. The passing of time and the struggles of being creative in New York are at the heart of this piece. Now it's over to a new generation to sing about about Jonathan Larson's anxieties about creativity, composition and getting older. It's made all the more bittersweet given the composer (and lead character Jon), Jonathan Larson died in 1996, six years after this piece is set. His death was also just before his show, Rent would open and become a big success. Tick, Tick... Boom!  was initially conceived as a solo work for Larson after his struggles to mount a show he was developing. After his death, it was reworked into a three-hander which is the version that we see today. While there are many musical theatre references, particularly to Sondheim, what’s interesting about the show
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