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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor
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Gay gore: Tumulus @Sohotheatre

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Something is unnerving about Tumulus. It isn't just that some audience members are asked if they want apple juice or Lucozade before the piece begins (although that's pretty weird too if you're unfamiliar with the subject matter). But it's that the show will leave you with the thought that in the London gay community there are a group of professional men who are perfectly happy to let you die. Just not in their own flats. So beware partying with anyone with easy access to Hampstead Heath. A short piece it's about respectable professional Anthony (Ciarán Owens). He has a stable job and a penchant for young boys and 36-hour chemsex parties. When his ex-lover is found dead on Hampstead Heath was it just another overdose that happens every week. Or was it something more sinister? The life of Anthony, his addictions and the people around him weave together like a gay gore whodunnit. But writer Christopher Williams creates a funny and playful account of life in L
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A class of their own: HMS Pinafore @KingsHeadThtr

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Charles Court Opera's production of Gilbert and Sullivan's HMS Pinafore takes life below deck to a new level. Set on a bright yellow submarine in the 1960s, it is a treat. Particularly with some excellent vocal singing from the small cast. It's currently playing at the Kings Head Theatre . As a satire on the enduring preoccupation by the English on class, the piece never feels dated. So shifting the time and place doesn't seem such a bad thing. It's full title HMS Pinafore, or, the lass that loved a sailor pretty much sums up the story. The captain of the HMS Pinafore intends his daughter to marry the first Lord of the Admiralty, but she is in love with a lower-class sailor. Here with a small cast while the chorus is reduced, it allows us to focus on the main action. And the music under the direction of David Eaton on keyboard. The cast works well to balance the demands of the music with the comic elements of the piece. As the lovestruck sailor Ralph Rac
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Animal Urges: Awkward Conversations with Animals I F*cked @kingsheadthtr

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Awkward Conversations with Animals I’ve F*cked certainly has an evocative and attention-grabbing title. There’s also an animal-like performance by Linus Karp. He’s part awkward young man, part woodland creature and so he holds your attention. But once you realise the animals are real the rest becomes a letdown. It’s less awkward conversations and more repetitive conversations. The species changes but it’s the same story. It’s currently playing at Kings Head Theatre .   It opens in what looks like a student dorm room. Dirty sheets, dirty clothes and food are strewn across the floor. And Bobby is lying there on the bed. It’s the morning after the night before. And then he starts talking. Soon you realise that the trying on the dog collar is not quite role-playing.  Next, he moves on to conversations with cats. Then sheep, monkeys and bears. Sure the conversations touch on his life and loneliness. There’s a hint about mental illness. But none of this is particularly con
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Flying and flexing: A Simple Space @UnderbellyFest

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Gravity and Other Myths return to the Underbelly Festival on the South Bank with their thrilling minimalist and physical show, A Simple Space. The piece strips back the art of circus performance until it’s just skin and muscle. Leaving you amazed by the feats of endurance, strength and precision. It’s been four years since Gravity and Other Myths had this show on the South Bank. And while the performers have changed, the sense of playful wonder remains. And it’s still exciting seeing performers skip rope, handstand and backflip to the point of exhaustion. This is not a show that makes circus art look easy. The show progresses through various feats of endurance including throwing, catching and falling. The opening scene features each performer shouting out they’re falling and wait for another performer to catch them. It’s an evocative opener and sets the tone for various set pieces that play on the theme of gravity-defying circus acts. Audience participation includes an en
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Perma-austerity: Killymuck and Box Clever @bunkertheatreuk

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The Bunker is currently presenting a double bill of what life is like for women in Britain with less opportunity. The two monologues chart growing up in different eras of inequality. But both are gripping as they mix anger, evocative storytelling and humour in equal measure. They're terrific pieces of writing with strong performances. First up is Killymuck, written by Kat Woods. Niamh (Aoife Lennon) is living on a housing estate that was the site of a paupers graveyard in 1970s Northern Ireland. Locals think the estate is cursed. But there are plenty of real-life causes to her problems. Her mum is surviving on benefits. Her dad suffers from alcoholism. Teachers at school are only too keen to discriminate, even if she is clever. And violence is never far away. There's salvation with the occasional babysitting job. Particularly with the neighbour when she's out turning tricks as she pays better than anyone. Lennon conveys the passion, anger and humour of Wood'
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Little miss cellophane: Random Selfies

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Trying to fit in a tech-enabled world full of hashtags, make-overs and fear of missing out, is at the heart of Random Selfies. No matter how many followers you have on social media still can’t replace having friends to hang out with. Rather than being someone nobody sees. It’s a short but sweet tale that’s returned to Ovalhouse Theatre . We’re introduced to Loretta (Christina Ngoyi) in her bedroom. But she prefers to go with the name Lola, not some granny’s name she was named after. There are text messages pinging her and her Instagram feed is buzzing. She never misses a chance to post a selfie. But living alone with her mother she’s actually very lonely. Her older sister’s moved out and nobody at schools seems to know she’s there. And so retreats to a world of drawing and social media trends. Dreaming of life as a vlogger. That all changes when a new girl Maya arrives at school. She doesn’t quite fit in. And after a teacher asks Lola to show her around they become friends. L
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Streaming Queens: The Crown Dual @KingsHeadthtr

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Even if you haven’t watched The Crown on Netflix, there’s much to be amused about in The Crown Dual. A meta-spoof on the public’s endless fascination for dramatisations about the lives of the royal family. And all things royal for that matter. It’s currently playing at the Kings Head Theatre . The premise is that Beth Buckingham (Rosie Holt) and her dubious agent and patio specialist Stanley (Brendan Murphy) are going to recreate Beth’s showreel audition for The Crown. And prove that she would have been far more talented than that Claire Foy in the role. And so beings a rather silly and at times hilarious recreation of the best and most preposterous bits of the first series of The Crown. With Holt or Murphy playing a range of cast members, sending up both the characters and their fictional television characterisations. Both have great comic timing and make a  somewhat regal pair. The lives of the Royal Family often seem like the subject matter for a farce. Here it’s an ente
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Making it grate: Strike Up The Band @GatehouseLondon

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For many people, Gershwin songs conjure up sultry jazz singers in smokey basements singing in hushed deep tones about “the man I love”. So it might come as a surprise it’s sung by a soprano in a musical about a cheese war between the United States and Switzerland. But that’s not the only thing that jars in Strike Up The Band, currently playing at Upstairs At The Gatehouse . The show is full of classic Gershwin songs such as The Man I Love and I’ve Got A Crush On You. Set to a bizarre book that’s intended to satirise the military industrial complex of the United States. But a plot featuring tariff wars, trade wars and real wars seem uncomfortably relevant today. After all we're in the era of slowbalisation , where nationalistic rhetoric and economic self-harm is the order of the day. To emphasise this point, there are some nice touches throughout the show, such as the “Make America Grate” caps enlisted to buy American cheese. So, on one hand, this revival is a stroke of genius.
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