Posts

Featured Post

One hundred people’s ninth favourite thing: [title of show] @swkplay

Image
[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor

Pop-up opera: Le Docteur Miracle

Image
Popup Opera's spring season of operas in unlikely places was a chance to venture to a gallery in Hackney Wick to see this short opera about a young man who goes into various disguises to win the hand of his lover. With some great performances, fresh ideas and a few modern twists, it makes for a fun (if slightly silly) night out. The piece by Bizet is a comic opérette (a French form of light opera), in one act by Bizet for soprano, mezzo, tenor and baritone. The hero, a young man called Silvio, comes to the mayor's house in various disguises in order to win the hand of the mayor's daughter, Laurette. The mayor's new wife conspires with his daughter to see true love prevails, but not before some mild hi-jinks.

Life from the Front of House: Ushers The Musical @CharingCrossThr

Image
Some inspired late night comedy is currently playing at the Charing Cross Theatre with Ushers The Front Of House Musical . It takes its story from the brutal reality that ushers on the West End are usually actors between jobs who often have more talent than the soap stars on stage. The piece is full of in-jokes and bitchy barbs at theatre life (that is the life of an usher at a theatre). But what is most impressive that this young talented cast muster up the energy and dance moves to bring this show to life at the late starting time of 10.15pm. The plot is a bit cliched and the production values are low, but the cast are enthusiastic and the music is inspired to make this a rather fun late night show to catch. Set at the theatre playing (s)hit Britney Spears jukebox musical, "Oops I did it again" the ushers learn the ropes and sell over-priced ice cream while dreaming of their next big break, finding love, or in the case of one usher, stalking the stars and posting phot

A wee bit of fun: Urinetown @st_jamestheatre

Image
The star power of its cast and wonderful production design make Urinetown the Musical a show to catch for its short run. Just don't expect a happy ending... Or pleasant subject matter. It is an anti-musical so it turns the genre upside down and parodies everything, including itself. The cast have an incredible energy and in the the intimate space of the St James Theatre their enthusiasm will have you hooked. The piece is set in some dystopian city where a severe drought has made private bathrooms unthinkable. People have to pay to go to the bathroom. If they don't pay to pee, they get carted off to this mythical place called Urinetown... And are never heard of again.

Men chasing older women: The Fat Man's Wife

Image
Remaining un-produced until 2004, The Fat Man's Wife by Tennessee Williams is having its UK Premiere at the Canal Cafe Theatre . It is a fragment of a play rather than a fully fledged piece that is about a sophisticated society lady who has to make a choice... Should she stay with her rich philandering husband or run off to Mexico with a poor young playwright?  It's Hobson's Choice set in the Upper East Side . Written in 1937, it is perhaps it is probably also the first case of a MILF relationship portrayed on stage. But it a fascinating look at how some of Tennessee Williams's observations on women, relationships and situations would later develop. And even if it is a bit predictable, running under an hour it makes for a none too taxing early evening diversion.

Northern Exposures: In Skagway @arcolatheatre

Image
In Skagway , now playing at The Arcola Theatre is an intriguing piece about three women on the Alaskan frontier. It is the late nineteenth century and the Klondike Gold Rush is nearing its end. It is a journey to the wild west territory and well performed by the all-female cast. But you are never quite sure just how harsh and inhospitable these conditions really are. It is a pity the production did not try and take things up a notch (although the draughty conditions in the theatre appeared to be an attempt to recreate the Alaskan winter). The piece focuses around Francis Harmon (played by Angeline Ball), who for years traded off her reputation as a star actress traveling from city to city gold rush towns. You get the impression her talent is more about showing off her assets than being an actress but it provides a living for her assistant May (Geraldine Alexander) and her daughter T-belle (Natasha Starkey).

Lost in exposition: The Lost Boy

Image
A musical based on Peter Pan growing up and heading off to fight in  the Great War is the premise of The Lost Boy musical currently playing at Charing Cross Theatre . It is an interesting concept. The generation of men who first grew up reading JM Barrie's Peter Pan did end up going to war. They may have even thought it was going to be an adventure rather than a nightmare. Legend also has it that Barrie's eldest adopted son, George Llewelyn Davies , who was the inspiration for Peter Pan and killed during the war in 1915, was carrying a copy of the story in his pocket. So in this story Llewelyn Davies, about to go out to the battle field, has a dream where Peter Pan reunites with the lost boys and goes to war to prove to Wendy he is a man. Along the way we find out that Tinkerbell has become a street walker, one of the lost boys is gay trapeze artist and so on and so on. If only a decision was made to focus on one or two of the characters. Things start to get a bit con

Harsh lighting: Carthage @Finborough Theatre

Image
Carthage , currently playing at the Finborough Theatre lets the audience in on a world of social care, and the circumstances in which the state can take control of your life and take your life. Its brilliance is in taking what could be depressing subject and making it full of humour and humanity as people try to do what is best. But it also leaves you wondering if at the end is there anything that could be done differently and whether our systems and due processes are the best we really can do as a society. It is the debut play from Chris Thompson , who drew on his experiences as a social worker over the past 12 years. What is incredible about the play is how finely observed the characters are. There is the boy in care, a jaded social worker, the teenage mother in and out of prison and the prison wardens. There are no judgements on their actions but the consequences are clearly on display for the audience to see. The cast do well, particularly Jack McMullen as Tommy, the boy

Theatre: The Mercy Seat

Image
The Mercy Seat by Neil LaBute is hard hitting and controversial. Originally staged in 2002, it no doubt caused a stir when first staged a dark and cynical look at human emotions against the backdrop of the 9/11 terrorist attacks. Ten years on, time gives it a different perspective. It feels less shocking and the more understandable. Perhaps it helps having lived in London through a summer of mindless random criminal acts... Riots, police corruption, general economic malaise... Life can seem a lot like how LaBute describes it: random and opportunistic. And given the right set of circumstances anyone can do anything. Against this backdrop is Ben and Abby (played by Sean O'Neil and Janine Ingrid Ulfane). She is his boss and he is married. Both should have been at the Twin Towers but a morning dalliance meant that instead they were at her flat. And now against the tragedy there is a potential opportunity. To give too much away would spoil the play, but watching the chemistry be