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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor

Death Becomes Her: La Traviata @RoyalOperaHouse

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The original hooker with a heart of gold (and lungs full of blood) is back at The Royal Opera House for the Christmas period and beyond. It’s a bright and stylish production that was first seen at the Royal Opera twenty five years ago. But La Traviata, or the “fallen woman”, is more than just froth, bubbles and champagne. It’s also about the frailty of life and how redemption can come in many guises. In this particular version conducted by Daniel Oren, it’s the somber more reflective moments that stand out. Whether you like that sort of thing or not.  In case you were wondering if there’s a plot to all these emotions in La Traviata, it centres around Violetta, a courtesan who at one of her lavish parties dumps one lover for another. But her new suitor, a moderately wealthy man called Alfredo, turns out to be more than she expected and they both fall in love. Meanwhile Alfredo’s bourgeois father seeks to restore the family honour while Violetta grapples with moral choices while

Opera Quick looks: Grand drama with Les Vêpres siciliennes #Rohvepres

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It is a spectacular and grand evening at the opera with the current production of Les Vêpres siciliennes . I caught the sixth ever performance of this production at the Royal Opera (which is also being broadcast around the world at cinemas ). While it helps to understand the historical context of the thirteenth century French occupation of Sicily, even more important is understanding a grand opera, its characteristics and excesses. Once you accept all this, it is a hell of a night. The production manages to pare back some of the spectacle in favour of focusing the story on four principals and a story of betrayal and family secrets is brought to the fore. The production is more a commentary on grand opera traditions, but works. Verdi's music with the Orchestra of the Royal Opera House and conductor Antonio Pappano is so stirring and rousing its tempting to want to join the revolutionaries. There are two more nights for it to run and a handful of tickets are available. Don'