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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Art in a dark moist place: David Breuer-Weil's Project 4

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David Breuer-Weil from Guy Natanel on Vimeo . London-based artist David Breuer-Weil has taken over the vaults under Waterloo Station with Project 4, an evocative and thought-provoking exhibition about the world, the apocalypse and other social and political considerations. Nothing is small scale here. Everything is big. Most of his paintings are two metres high and four metres long. One giant canvas follows another and as you are drawn into the tunnels under Waterloo Station, they come together to form an impressive spectacle of colour. Interspersed amongst these is Breuer-Weil's sculptures which give the works an added dimension and physicality. Many Londoners will be familiar with his works, particularly his sculpture. Emergence (see below after the jump) was temporarily installed into Hanover Square in 2012 and Visitor has previously been seen in Golders Hill Park, Hampstead.

(Silent) Opera: La Boheme

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As part of the Vault Festival , which transforms a series of interconnected tunnels underneath Waterloo Station into something theatrical and fabulous this month, I caught a packed production of La Boheme by Silent Opera with @Johnnyfoxlondon . Like other companies , Silent Opera is about taking operatic masterpieces and adapting them into modern settings. What makes them unique is that they tap into the iPod generation and use headphones to place the performers and the music in real life and odd spaces. The former National Rail plans and drawings archive must fit the latter. With a mix of levels, false ceilings, grimy floors and porta-loos, it is a far cry from the Royal Opera.