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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor
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Bend and snap: Circa’s Peep Show @UnderbellyFest #CircaPeepshow

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Watching from the sidelines of Cira’s Peep Show feels a little dangerous at times. Other acts might splash you or have their props fly in your face. But this act feels at times like the acrobats will land in your lap. Bodies assemble. Muscles tense. Veins start to throb. Then they fall, the bounce, they appear from out of the shadows. It’s fascinating and a little bit unnerving. Particularly if you’re sitting up close to the action as a body falls toward you. Although when they do they break into a roll. It’s currently playing at the Underbelly Festival on the South Bank. In a physical and breathtaking 70 minutes bodies are thrown about, bounce off each other and contort into positions that you don’t think could be possible. Or at least without hearing something go pop or snap.   Keeping in theme with Circa’s other minimalistic productions, here the focus is on the body as a performance machine with few props. The premise behind the show is less on sexual gratification and more on the
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More towels please: Soap @UnderbellyFest

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Circus acts as part of the Underbelly Festival on the Southbank are always a highlight of the programme. Adding bathtubs, water and a hint of nudity is definitely a winning formula. And it makes for good clean fun (this show is aimed at all ages). Soap which originated in Germany has been touring around the world. But for the first time it’s in the round in the Spiegeltent. The effect pushes you right up close to the action. So close that you can see the muscles tense and flex on the performers. The cast run through a variety of bath-time themed circus feats. There’s Vanessa Alvarez as a foot juggler of bath towels and guitars. Anton Belyakov thrills with handstand on what appears to be a very slippery Villeroy and Boch bathtub. Lena Ries contorts within one. Adem Endris juggles on top of one. Daniel Stern rises above one on straps. And Moritz Haase wows with a thrilling Trapeze finale as water rains down from above. Marie-Andrée Lemaire is on hand for comic relief. And Jennifer Linds
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Flipping memories: Catch Me @FlipFabriQue @UnderbellyFest

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It's the start of summer. The weather's hot and the Underbelly Festival at the South Bank Centre is opening with its usual eclectic mix of circus acts, comedy and cabaret. And Flip FabriQue's Catch Me fits this bill well. There is beauty and fluidity in the performances. The premise is that ten years later a bunch of friends reunite for another weekend at a cottage together. They play. They have fun. And they do strange and unusual things with straps, trampolines and diablos.
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The Human Pile: Closer by Circa @CircaPresents @UdderbellyFest

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Closer, by circus troupe Circa opens the London Wonderground on the South Bank with an intimate yet spectacular show about the power and strength of the human body.  There is beauty in this stripped back circus extravaganza of human acrobatics that flow seamlessly from one to another. A simple staging, with a few chairs and spotlights open up to an incredible array of performances. The effect is mesmerising as the performers make the impossible seem effortless.
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The smell of the motorcycles, the gasps from the crowd: La Soiree @Southbankcentre @theatreblogs

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In it’s eleventh year of touring and sixth year in London, La Soiree still manages to thrill and excite like it has just burst onto the scene. It’s mix of old favourites and new acts still makes it the show to see over the next few months. Constantly changing, La Soiree keeps you second guessing what will come next. Whether it is Freddy Mercury obsessive in very tight jeans crowd surfing or a gorgeous acrobat dangling from the top smoking a cigar, this is a show that is determined to make sure you have a good time.
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Heads up: previewing La Soireé @lasoireelive

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Returning for a sixth season in London, the little show with a big heart La Soirée is back at the Spiegeltent at the Southbank Centre . The show is currently in previews and I recently caught up with some of the performers during a lunchtime break.
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Ambiguously Straight: Bromance @udderbellyfest @bmtroupe

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Flying by the seat of your pants takes on greater meaning with circus troupe Barely Methodical and their latest offering Bromance , which is at the Udderbelly Festival on the South Bank until 19 July. The three performers, Beren D’Amico, Louis Gift and Charlie Wheeller, fuse circus performance with their expertise in martial arts tricking, parkour and breakdancing; not to mention some hilarious comic interactions for a thrilling hour.
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Flipping hell: A Simple Space @Udderbellyfest @GOM_Circus

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A Simple Space, by Australian-based circus troupe  Gravity and Other Myths , is the latest round of circus offering at the Udderbelly Festival  at the Southbank Centre . Between the amazing feats of acrobatics you can hear a constant sound. The sound of heavy breathing. It is coming from the stage. This is pretty intense stuff here and the energy and sweat from the performers is audible and palpable. And in the space of the giant purple cow, where you are up close to the performers, it seems much more intense and intimate.
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Hard core high flying: La Soirée @southbankcentre

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It is only on until 11 January on the South Bank but La Soirée is a lot of fun. Thrilling acrobats, a bearded lady singing in deep bass and a middle-aged man in a big blue bunny suit are just some of the entertaining and slightly naughty acts on offer at the moment. Nothing beats the intimate setting of the Spiegeltent and being so up close to people flying over your heads or doing strange things to red handkerchiefs...
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Pain and passion: Cantina

The London Wonderground on the South Bank is currently playing host to Cantina, an Australian circus production that is unique in its blend of theatre and physical performance with a lashings of pain. Actually, a lot of pain. Broken glass, high heels, broken limbs feature so prominently it could be billed as the Cirque De Sade if that wasn't already the name for a fetish night in Canada . The production manages to take the circus act and make it new by becoming sexy, violent and painful. Is it real or is it escapism? It is hard to tell but it is awfully enjoyable and classy night out full of laughs and some genuine surprises that will have audiences gasping.
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