Paul in London

If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Lightness and dark are in the balance in The Light House, writer and performer Alys Williams's story about the complexity of love. It is a love story about the highs and the lows of falling in love with someone who doesn't always want to be alive. But with some deft storytelling and some inspired audience participation, the piece is an uplifting and funny tale about the joys and otherwise of being in love. After a tour of the UK, it is having its London premiere at Park Theatre as part of their Make Mine a Double season of short plays. From the outset, Williams sets the piece's tone by calling for audience involvement to help shout "Man overboard" or blow whistles. She is a reassuring navigator, so while every show differs depending on who agrees to participate, you get the sense that you're in safe hands with her. And that becomes the story here as well. After falling in love with a fellow acting student, how does she find a way to keep the lights on, deal w

Remaining un-produced until 2004, The Fat Man's Wife by Tennessee Williams is having its UK Premiere at the Canal Cafe Theatre . It is a fragment of a play rather than a fully fledged piece that is about a sophisticated society lady who has to make a choice... Should she stay with her rich philandering husband or run off to Mexico with a poor young playwright?  It's Hobson's Choice set in the Upper East Side . Written in 1937, it is perhaps it is probably also the first case of a MILF relationship portrayed on stage. But it a fascinating look at how some of Tennessee Williams's observations on women, relationships and situations would later develop. And even if it is a bit predictable, running under an hour it makes for a none too taxing early evening diversion.

The latest from the Love Bites series, Apartment, which ended its brief run at the Etcetera Theatre in Camden last weekend was again an opportunity for some witty reflections on the theme of love, this time with the theme of apartments being the common thread between them. The Love Bites series showcases some excellent new writing and performances from emerging playwrights, actors, directors and illustrators. It was a short evening of four plays this time around and each were funny and insightful in their own way. It is a real treat to see such a high quality writing and performances in a fringe venue and it is well worth seeking out when they stage their next instalment. The first, Zoned Out by Craig Donaghy and performed by Thea Beyleveld was a monologue about moving in with a boyfriend who lived near Amersham and giving up her flatshare in West Hamstead, only to find out that he wanted to break up with her. It was frank and honest and knowing in a way that any Londoner coul