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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Previews: Posters, pens and headphones @theotherartfair

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Non Zero One are presenting a work at The Other Art Fair from 15th – 18th October.  They will be performing  Untitled (audio with pen) which is an audio-based piece. Participants are told nothing of what they are going to do. Instead are asked when queuing for the fair whether they are curious... They are then drawn slowly in, until it is too late to turn back, having to continually question how far they want to involve themselves and being encouraged to go beyond the traditional weird stuff set for both theatre and art fairs. Hmmmm sounds like being a writer for theatre and the arts in the social media scene…

Art in mildly sadomasochistic times: Gérard Rancinan's Wonderful World

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The LondonNewcastle Project Space in Redchurch Street is home to a fabulously frothy and deliciously naughty exhibition of photographer Gerard Rancinan's work called Wonderful World . Rancinan is known for his dynamic and hyper-realistic pieces. Production of one of the pieces on exhibition is depicted in the video clip from French television. It is painstaking and eye-catching work, particularly with half naked models (even if they are wearing cartoon masks and put into positions that echo religious iconography). Wonderful World is the concluding part of his Trilogy of the Moderns. The everyday meets the kinky, pop culture meets street culture and religious icons meet cartoon icons in a series of images that explore the search for happiness (real or drug induced) in a confused and odd sort of world. So naturally it all suits the Shoreditch area well. Beautifully presented with fifteen large images surrounded by props, costumes and other features, it is a lot of fun and tak...