Paul in London

Storytelling and pop culture is at the heart of Mr Burns , a bizarre and fascinating play currently showing at the Almeida Theatre . Is it an observation of what would happen to our society if it collapsed, a commentary on the evolution of a new religion, or an observation that people in catastrophic times would prefer to talk about anything other than the elephant in the room? Whatever its point - and it is more weird than funny - it is a fascinating piece and and enthralling throughout its three distinct acts. The first act opens with a power cut. Set in a post apocalyptic world where the power grid has failed, there is no electricity and society has failed, those that have survived pass the time by recounting their favourite television shows. And of course the one television show that people remember the most is The Simpsons. And in particular the Cape Feare episode.

Designing 007, Fifty Years of Bond Style commemorates the designs, fashion and brouhaha that goes with the worlds most successful movie franchise. It is currently at the Barbican before touring the world, and I suspect that other venues will do it more justice than the three confusing rooms of the Barbican; with each less successful than the previous. You receive a stamp for each room and if you manage to find everything you should get a reward. The second area is a showcase for the styles created for Bond villains but all the pieces are behind glass boxes that all look alike and face different directions. You will find the bathrooms before finding all the boxes. And in the third room it is unfortunate that the centrepiece is the ice hotel that looked cheap in the film Die Another Day let alone up close. It is a film in the franchise best remembered for the worst CGI in film history . Given the room also includes a large screen showing edited highlights from it, you will not want

The LondonNewcastle Project Space in Redchurch Street is home to a fabulously frothy and deliciously naughty exhibition of photographer Gerard Rancinan's work called Wonderful World . Rancinan is known for his dynamic and hyper-realistic pieces. Production of one of the pieces on exhibition is depicted in the video clip from French television. It is painstaking and eye-catching work, particularly with half naked models (even if they are wearing cartoon masks and put into positions that echo religious iconography). Wonderful World is the concluding part of his Trilogy of the Moderns. The everyday meets the kinky, pop culture meets street culture and religious icons meet cartoon icons in a series of images that explore the search for happiness (real or drug induced) in a confused and odd sort of world. So naturally it all suits the Shoreditch area well. Beautifully presented with fifteen large images surrounded by props, costumes and other features, it is a lot of fun and tak