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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor
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Previewing wandering around Holland Park at night: The Dwindling House

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For some, catching Britten's The Turn of the Screw would be enough tense entertainment for an evening. But this week in Holland Park there is also the opportunity to see the opera and then embark on an eerie theatrical promenade piece, The Dwindling House of Holland. The piece will explore the tangled history of the Holland family. After catching the opera you then proceed (possibly with a sensible drink to calm the nerves) under the cover of darkness through Holland Park with the cast, who evoke visions and sinister tales of the dwindling families of Holland Park.
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Art: Yoko Ono smiles and light reflections

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The Serpentine Gallery is currently showing Yoko Ono's To the Light . It is an opportunity to view new installations and films from Ono and escape what has been a busy summer period of sports. One of the things that keeps recurring as a theme is the role of the artist and the viewer, along with perspectives on peace, war and happiness. It is hard not to like an exhibition that makes you take your shoes off and get lost in a maze to the amusement of others in the gallery, or watch a collection of smooth and hairy bottoms move about. As the above video clip notes, technology has finally caught up with many of Yoko Ono's more ambitious ideas and this one is to capture the smiling face shot of everyone in the world. You are invited to sit down and have a photo taken and then it will be posted onto the Flickr page for #smilesfilm . It is bound to have you leave the gallery smiling, unless you are horrified by the results of your mug shot blown up on a giant video screen by the doo
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Subterranean art: Serpentine Gallery Pavilion 2012

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The Serpentine Gallery Pavilion 2012 designed by Herzog & de Meuron and Ai Weiwei is described as an opportunity to inspire visitors to look beneath the surface of the park as well as back in time at the ghosts of the earlier structures.    With its cork surfaces and dark corners what it really is is the ultimate children's playground. It will be hard to visit it without finding screaming children running about, hiding from each other in the dark corners and leaping over the uneven surfaces. There is place for a good coffee, but this year's pavilion is a cork dungeon for the children. The little buggers will love it... It is open until 14 October.  Be sure to also catch the other free exhibition at the gallery itself - Yoko Ono's To the Light which runs until 9 September.
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A bit of syncopation and history: Ragtime

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Ragtime the musical is currently playing at Regent's Park Open Air Theatre . It's an epic musical based on E.L. Doctorow's novel that charts the tale of three families against the backdrop of the change, family, immigration, racism, strikes and unrest at the turn of the last century in America. It's an exhausting and exhilarating history lesson set to the music of ragtime, a genre of music that is predominantly recognisable for its syncopated rhythms. It was popular during the period, but then eclipsed by jazz and largely forgotten until a 1970s revival . Of course it is neither the period nor the music that hits you first when you take your seats. The first shock is that the set which looks like a bomb has gone off. And for a story set in 1906 it all seems very contemporary. There is a poster from Obama's 2008 campaign proclaiming "Dare to Dream" towards the back with a gaping hole in it. In front of the hole is a pile of junk, dust and rubbish as if ha
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Scenes of London: Sunday in the Park

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January in London doesn't have to be grey and miserable. It can be crisp, sunny and green with a dog mid-distance wandering around for no real reason...
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Theatre: Crazy For You (or maybe slightly ambivalent)

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Hopefully it will be a while before there is another revival of Crazy For You , which has its final week at Regents Park Open Air Theatre this week. The cast are terrific and so is the dancing. Sean Palmer and Clare Foster make terrific leads and keep things as fresh as they could be. But this is probably the kind of show that needs constant revisions and rewrites to stay fresh. While it is an update of the Gershwin musical Girl Crazy , twenty years on it too feels dated. The cheesy book linking to even cheesier lesser known Gershwin works quickly becomes tedious. The "open air" doesn't help the ambience either... Nor does the Roy Rogers inspired set. Perhaps another Gershwin show, Porgy and Bess might lend itself better to the open air environment... Although London summers are not quite the hot temperatures of South Carolina, there no doubt could be some effective rain sequences for the hurricane scenes... Until then, marvel at the cast, great costumes and som
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