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Somewhere that's green: Potty the Plant at Wiltons Music Hall

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"I'm Potty the Plant," sings a potted plant in this odd little fringe concept of a show. It's hard not to get the tune out of your head, even if the show is brief. It's an earworm for a show that features a worm-like plant as a puppet. And given the show's brevity, running at only an hour, it's hard to get too annoyed by a lack of a coherent story, even if it still seems like the show could use a bit more development (which is underway). It has made its London debut at Wilton's Music Hall. The premise is that Potty, the plant, lives in the hospital office of Dr Acula (geddit?) and dreams of a life with the cleaning lady Miss Lacey (Lucy Appleton). But Dr Acula might be responsible for why all these children are disappearing while trying to romance Miss Lacey for her family's money that she doesn't have. Three nurses are on the case, trying to solve the mystery.  If the show settled on a convincing plot, location and set of characters, it could ...

Hopes for 2017: The Doppel Gang @tristanbatestheatre

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Things I am hopeful about for theatre this year after catching The Doppel Gang at the Tristan Bates Theatre : More shows featuring the music, drama and comedy of music hall.  The Mother Goose panto at Wilton's last year gave a few quick flashes of music hall style with a few numbers. Here this show is set in the pre-television era where an evening's entertainment is a night out at the theatre. It's a lost art that could do with being resurrected. More borrowing of classic comedy sketches that don't involve Monty Python.  There is a Faulty Towers Live show that is winding its way around Australia as part of John Cleese's pension plan. But there are is plenty of other comedy that could be recreated, borrowed, or repurposed. The Marx Brothers are a case in point.

Hot gossip and character assassinations: School for Scandal

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Cheap laughs and scandal never seemed so sexy and witty than in Turn of the Wheel's School for Scandal, which has been playing at the Waterloo East Theatre, transforming the theatre under the arches at Waterloo East station into a hotbed of gossip. Eighteenth century London socialites don't seem too different from modern day slebs  with their acid tongues and bitchy banter, although is mostly undertaken in drawing rooms rather than on social media (or blogs for that matter).  The essential premise is that when wealthy Sir Oliver (played by Gately Freeman) returns from the East Indies he decides to select one of his nephews as his heir, but unsuspectingly gets dragged into various plots and sub-plots over lovers, scandals, unrequited love. The subject matter of gossip, scandal and intrigue are given a boost by the young cast. It is delivered with such energy and enthusiasm that the barbs fly fast and it is easy to miss some of the lines if you're too busy laughing. ...