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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Remembering last year: @Mytheatremates Also Recognised Awards

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While some of us can't remember what we saw last month (handy to have a blog for that reason), MyTheatreMates announced last week the shortlists in the second annual Also Recognised Awards . These audience-voted industry accolades celebrate talent in fields often overlooked by other award bodies. One of the awards is the UK’s first-ever prize for Best Musical Direction. In addition to Best Musical Direction the awards recognise performances for: Best Ensemble Performance Best Solo Performance Best Shakespearean Production Best Original Music London Newcomer of the Year Theatre Event of the Year