Paul in London

A young screenwriter and an older priest walk into a hotel room in Rome. You just know it isn’t going to end well. But part of the suspense in For Reasons That Remain Unclear is you are never certain where things are heading. Mart Crowley’s sexually charged piece keeps you guessing. It’s having its UK premiere at The Kings Head Theatre as part of its Queer Season of theatre. Patrick (Simon Haines) is working for Warner Brothers in Rome living out of a fabulous hotel. He meets Conrad (Corey Petersen) on the street and after a long lunch they head back to Patrick’s hotel. What then ensues is a series of mind games as faith, sexuality and secrets are explored. Conversations about the trivial meander into the personal. Then it builds into something darker. It’s probably every gay priest’s fantasy to get picked up off the street by someone from Hollywood. But if you get past that it’s a rewarding piece, particularly given the performances.  Haines and Petersen are terrific. They hold your

The glass may be half empty but it's always going to be full of liquor or bile in The Boys In the Band. The alcohol starts flowing and next follows the loathing. But something unexpected watching this piece. Even amongst the bleak depiction of pre-Stonewall New York you get the sense they're a family. And they will probably patch things up in the morning. Once they get over their broken noses and hangovers. It is now playing at the Park Theatre before heading on a tour. Mart Crowley's play was the first to present gay life to a mainstream audience. It is important to appreciate that it was once unique. Nowadays there isn’t a week that goes by in London when there isn’t a play about gay men in London. Usually it involves the actors getting naked. But this takes you back to an earlier time. It is before chemsex. Before AIDS. Before Stonewall. Just drinking, poppers, a bit of dope and a whole lot of self hatred.  But an excellent ensemble and a brisk pace makes it for