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Waiting for Sandy: Milked @WhiteBearTheatre

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Two lads looking for meaning and lots of time on their hands are at the heart of Milked. Simon Longman's play first premiered in 2013. While it may not capture the latest malaises and anxieties affecting post-pandemic youth, it has enough of a familiar ring to it for anyone who has eavesdropped on the thoughts and musings of young people when out and about. And with some lively performances by the two young men, you feel drawn into their bizarre little world as the conversation runs from the routine to the ridiculous. It's currently having a short run at the White Bear Theatre in Kennington.  The premise is that Paul (Iwan Bond) is searching for a job that becomes increasingly desperate. He wants to find a job in media (whatever that is) but has neither the skills nor the experience to do it. And being based in Herefordshire rather than London makes it a stretch to be considered for anything. His mate, Snowy (Evan L. Barker), seems to be on a journey of self-discovery. His fat...

Opera Last Look: Werther

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If opening night was a sensation watching Rolando Villazon in the title role, closing night didn't disappoint either. At the curtain call Villazon was very excited and shouting like a very satisfied man. The audience was on its feet applauding. It was mutual admiration. Villazon's performance made Werther, a tragic story about a young troubled poet who falls in love with a woman committed to someone else, incredibly passionate and engaging. His act three aria was worth the price of admission alone. Even in the context of an incredibly melodramatic opera, you couldn't help but be drawn into this world. And at the curtain call I couldn't help but think he must be awfully fun at parties. Opposite Villazon was Sophie Koch  playing Charlotte, the woman who is his obsession sounded great too. But focus of the  opera is the tragic young poet. With Antonio Pappano in the orchestra pit, the music was incredibly lush and intense. All breathtaking stuff... It was enough to m...