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Showing posts with the label jukebox musicals

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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor
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Holographs of my mind: Dusty @dusty_show

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Dusty Springfield is back from the dead in Dusty , a multimedia musical which has her spinning around and singing in 3D holographic spectacular. As for the show, despite other opinions , I liked it for the music. It is a wonderful homage to her, even if the technology gets in the way of the performances and the story.
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Music that pulls no punches: Soul Sister

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Soul Sister at Hackney Empire is a musical based on the life of Tina Turner . It's an opportunity to set the rhythm and blues music from Ike and Tina Turner to her lifestory with some incredible results. Most of this is due to the incredible powerhouse performances by Emi Wokoma as Tina and Chris Tummings as Ike. Wokoma doesn't pretend she is Tina Turner but is a star turn all the same. It's energetic, musical and thrilling. By the end of the show with the obligatory musical medley the audience was on its feet dancing. It is a pity that the creative team decided to musicalise a story that features domestic violence so prominently. Either from shock or bewhilderment the audience were either laughing at every punch or cat calling. It was enough to make you feel like you were in the audience for the taping of a Jerry Springer show. Here's hoping as the show evolves there is a better solution to telling the Ike and Tina story on stage... And perhaps finding a punchier
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