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More sex and violence: Playfight @sohotheatre

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The funny thing about three girls growing up under a tree is that you never quite know when they're being serious or just messing about. One time, they might be talking about giving blow jobs on a tennis court at school and another, they might be yearning for a connection that they can't quite explain. That's what happens in Playfight, an Edinburgh Fringe Festival 2024 hit currently showing at Soho Theatre .  Writer Julia Grogan doesn't give us much time to dwell on the lives of these three young teenage girls. One minute, they're fifteen and giggling, and then the next thing, they're off getting married or going to University. But underneath all the smutty talk, humour, and quick scene changes, there is a darker underbelly about relationships, power, and consent. It's about finding your way in a complex world that can dehumanise and degrade you. But as things move so quickly, you could blink and miss it. This is too bad as the performances capturing this co...

Opera and horseplay: Falstaff

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The Royal Opera's updated production of Verdi's Falstaff received mixed reviews from the audience on Tuesday night. Most people loved the performances, but when it was time for the production team to head onstage, there were some very audible boos (not to be confused with Audioboos ). The gentleman next to me booed. He had had been tut tutting throughout most of the opera (particularly as the curtain went up revealing a dazzlingly bright 1950s kitchen in the second act), so it probably was not a surprise, but he did it with such gusto the sound reverberated around. It is great that so many people are so passionate about Falstaff. It's a wonderful opera about a man who gets his comeuppance. While the production does update the setting from Elizabethan England to 1950s England, for the most part this change does not get in the way of the proceedings. The final scene in the second act in that kitchen was a little clunky and mistimed so much that it was obvious to most of ...