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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Last chance (for now): The Mystery of Charles Dickens

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The Mystery of Charles Dickens is finishing its run at the Playhouse on 10 November and worth a look if you don't mind watching Simon Callow on stage for a couple of hours. He is great to watch as he has such a marvellous speaking voice. It isn't so much a mystery but a good story telling that takes place as he runs through some rather dramatic points in Dickens's life, interwoven with recreations his readings of his stories, which you learn were quite a sensation. This show was first staged in 2000, but has come back for another revival timed to commemorate the 200th anniversary year of Dickens's birth. It is a simple concept with Callow on stage as part teacher, instructor and performer. Written by Peter Ackroyd , who knows a thing or two about London (and Charles Dickens), he manages to distil the interesting aspects of his life and this production keeps things moving at such a brisk pace you can be forgiven for forgetting how many years, books and wives have pass...