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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor

Streaming Through: Little Wars (A reading)

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Is it week six or seven in this national lockdown? Lockdowns have been a chance to go on long walks through central London. It's fascinating to go through the West End and see theatres advertising shows that would have been there for a fraction of the time they’ve now been. Jennifer Saunders mugging it in Blythe Spirit comes to mind. It's as if time has stopped and it's still March 2020. But going on long walks has led to missing some online theatrical events. And so it's great to see that Little Wars has returned for another two weeks on Stream Theatre.  Set in the French Alps at the home of Gertrude Stein and Alice B. Toklas (her lover). They're hosting a party that also happens to be on the evening of the German invasion. It's a fantasy party that imagines the guests being Agatha Christie, Lillian Hellman and Dorothy Parker. There's another mysterious guest who goes by the name of Mary. As the night wears on and the drink continues to flow, sparring abou

Attracting attention: Amour @charingcrossthr

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Amour is about the brief charming life of an ordinary man who discovers he can walk through walls in 1950s Paris. With music by Michael Legrand, it’s a whimsical fantasy that it’s hard to dislike. As the piece says, “There’s magic in the air” even if the lyrics translated into English bring the piece crashing back to reality. It’s having its UK professional premiere at Charing Cross Theatre . At the centre of the piece is an earnest young man Dusoleil (Gary Tushaw), who lives alone in a flat in Montmartre, dreaming about his neighbour Isabelle (Anna O’Byrne), who is married. He’s a hard worker in the civil service who gets his work done so he can write a letter to his dear mother. But one day during a power outage he discovers he can walk through walls. So he decides to put his new talents to good use to become a latter-day Robin Hood, winning the hearts of the locals and Isabelle. The lyrics become predictable that it’s tempting to play a guessing game. You just know when the l

Victims of circumstance: Mother Courage And Her Children @swkplay

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War is hell. War is a bitch. But everyone has to scrape by and make a living. Tony Kushner's translation of Mother Courage And Her Children was given an epic staging at the National Theatre in 2009. Here in the more intimate surroundings of Southwark Playhouse , there's less spectacle. But it's still worth a look. Particularly if you're sitting on the right side of the traverse. Brecht's piece should make you feel uncomfortable with sharp observations about capitalism, war and religion. This production just makes you feel uncomfortable. If you're sitting on the wrong side you will have to make do with either stretching your neck or imaging what's going on behind you.