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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor
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Odd Shaped Balls Preview @ORLTheatre

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Now playing at the Old Red Lion theatre is Odd Shaped Balls. It's a play about an outed Rugby Player James and the fallout created from it. Odd Shaped Balls is a one man show that tackles the issue of homosexuality in sport and probes into why it's such a big deal in the first place. And ultimately, isn't it more important how you play the game and work as a team? Matthew Marrs plays James Hall. He has the world at his feet as a professional rugby player but after people find out his sexuality, he finds his life changing dramatically. James has to decide whether he has the courage to not only be true to himself, but act as a role model for others.
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Live couples therapy: Tonight I’m Gonna Be The New Me @sohotheatre

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Tonight I’m Gonna Be The New Me , currently playing at the Soho Theatre is a theatrical endurance piece, both for the performers and the audience as it attempts to describe a relationship, or a relationship re imagined. It should be part of Soho Theatre’s programme of weird shit to see in the West End. It’s alienating, amusing and infuriating. So depending on your frame of mind you’re going to love it or think you are trapped. I suspect the intention is to feel both. Thankfully it only lasts a little over an hour.
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Chop it up: Chef @Sohotheatre

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One woman’s descent from a haute-cuisine head-chef to convicted inmate provides for some mouth watering entertainment in Sabrina Mahfouz’s Chef at the Soho Theatre . While it is not necessarily an unexpected journey, it provides enough interest for its short duration to make you wish you were not watching it on an empty stomach. It all starts with a peach. With the simplest of ingredients,   Jade Anouka takes us through a range of courses that track her culinary career and the events that lead to her ending up in jail. Food as her passion comes out more strongly in this piece than the stories of her troubled teenage years, domestic life and the need to keep things level while behind bars. The dialogue is so evocative of food, its preparation and presentation that it is bound to make you hungry.
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Let the river run: Hiraeth @sohotheatre

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Some people are rocks. Some people are rivers. Some people can be rocks in rivers. Some people can be rocks just nearby the river. And so on and so on and so on. These important observations are about as deep as things get in Hiraeth . The word is Welsh for longing. But notwithstanding the flimsy premise the piece is a sweet-natured, whimsical account of  one woman’s journey from a small Welsh farming town to London.
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Father knows best: Wingman @sohotheatre

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Father-son comedies have never quite felt so weird as they do in Wingman , Richard Marsh's new take on strained and odd family relationships having an early slot at the Soho Theatre this month. Marsh, a writer of Fringe First winning Dirty Great Love Story and Radio 4 show Love & Sweets, has crafted a story that is part dialogue and part poetry that has a surreal comic effect in describing his dysfunctional relationship with his dad (played by Jerome Wright). Mum has died but after twenty years apart they reunite at her graveside. And it is an opportunity for dad to reunite with the son he left twenty years ago. And dad suggests after seeing that his son is struggling with women that perhaps they could socialise together and he could be his wingman . But that means the son has to get over his issues of abandonment and general hatred of the man...
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Just wait 'till you see the missus: Jekyll & Hyde at Southwark Playhouse

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It is an evening of moody atmosphere and gender reversal in Jonathan Holloway's Jekyll & Hyde , which has been re-imagined in this production currently playing at Southwark Playhouse . The director, Jessica Edwards, notes in the programme that Jekyll & Hyde is a story that is so well known and mis-remembered, it gives the team a great deal of licence to unpick its ideas and mess around with it. They have indeed and it works quite well using a range of theatrical tricks, music and some good old fashioned shocks.
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Slappers and braggers: Fleabag at Soho Theatre

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Phoebe Waller-Bridge's one woman show Fleabag is an entertaining smutty, funny and bittersweet tale. In Mydidae she was naked but here her character's soul is laid bare, as "Fleabag", a woman obsessed with sex. Everything leads to sex from a dripping stuffed crust pizza to a chance encounter with an ugly man on the tube. But amongst all the wild crazy hedonism emerges a real vulnerable person who is coming to the end of period of her life, even if she does not know it yet. Sitting on a stool under a spotlight the piece opens with Fleabag taking an interview for an office job. It soon goes horribly wrong which then leads to her confessional-like monologue on her life. It is a life is full of asides about her ex-boyfriend, her family, casual sex and her friend, with who she ran a hamster-themed coffee shop with until her death.
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