Paul in London

Young Joan can't sleep. Was there a bump in the night? Or a scream? She is staying with her Aunt Harper, and she reassures her it's probably an owl. They seem to be in the English countryside. But with her aunt's responses becoming less and less convincing as she pauses and thinks about them, young Joan knows she has stumbled on something sinister about the world. And not just because aunty isn't a convincing liar or her armchair is filthy and worn. Thus begins the short descent into a dystopia where people are rounded up for inexplicable reasons, and you're never sure who is with you or against you. It’s currently playing at the Donmar Warehouse . It's a short descent as Caryl Churchill's piece runs only forty-five minutes. But in that time it's an unsettling enough to leave the audience nervously laughing. In the twenty years since its premiere, the fears of all controlling entities have only grown thanks to a vibrant network of social media, pseu...

From 100 scenes that run over 500 pages comes [Blank], which is currently running at the Donmar Warehouse . It’s a do it yourself play by Alice Birch where the production can choose the number of scenes and the order of them. Thumbing through the play text, I first assumed it would be an epic night out at the theatre. Thankfully Director Maria Aberg has chosen thirty of them, and the end result is an evocative and emotional journey of women on the margins of society. Or at least that’s what it seemed to me. It becomes a do-it-yourself play for the audience too as you begin to piece together the various characters before and start making connections about what you’re seeing. And as windows smash, crockery breaks or salty pasta gets eaten, what emerges are the struggles of a range of different women who find themselves in circumstances they cannot escape from. Women in prison, or a refuge, or selling themselves to get by. In the light of the #metoo era, which is hilariously put down ...

Stephen Sondheim's Passion has started previewing at the Donmar as part of the Sondheim at 80 season... This dark story about a young officer drawn towards a sick unhealthy woman is less musical and more melodrama set to a lush romantic score, with a bit of crazy thrown. The musical motifs repeat and repeat to a dizzying point and if you let yourself accept the basic premise of the show you're in for a hell of a ride. I have always liked this show in which the central message seems to be long distance relationships don't work, no matter how well written the letters are. Sondheim's music and lyrics are more natural here and grounded in realism, including told through a series of epistolary songs that repeat and alter. And if it this production is this good on the first night, it can only get better. The show opens with Scarlett Strallen as Clara and David Thaxton as Giorgio in their underwear doing gymnastic gyrations on an unmade bed. Amongst all this they manag...