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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Arguments: Britain is Indifferent to Beauty

Destined to be great fodder for the Sunday papers (and it was in both The Times and The Guardian today), I found myself at a debate on Thursday evening on the topic that Britain has become indifferent to beauty. It was a lively and entertaining debate with TV Historian pop star David Starkey and Roger Scruton arguing for the case, and Germaine Greer and Stephen Bayley against. Greer and Bayley won the debate, and not necessarily on the strengths of their arguments, but probably because Starkey and Scruton came across as fussy old men. A pity really as not only did Greer and Bayley contradict themselves, there was an emerging argument that our busy hectic lives has bumped the pursuit of beauty (in terms of the environment in which we live), down the order of priorities. Starkey and Scruton started to touch upon this, but they lost it amongst their stuffiness. Still it is delightful to hear them all speak, especially Greer. She takes a contrary view so easily that you wouldn't w...