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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

On long runs and intervals: 90 minutes straight through

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When is too much of a good thing, too much? I love going out to the theatre, but there is nothing more I love than hearing that what I am seeing is ninety minutes straight through. The fun of going out, the magic of theatre, brilliant performances, terrific writing... All in an hour and a half. I was thinking about this during the week when at The Maids at Trafalgar Studios I misread the play length. I thought it was one hour fifteen but it actually was one hour fifty. "Do make sure you go to the bathroom beforehand," I thought I heard the usher say in a motherly voice. I'm sure they didn't say that but that is what I heard. The Maids is a stylish new translation where two maids plot macabre ways of killing their mistress. It is a new translation of the Jean Genet play by Benedict Andrews and playwright Andrew Upton. It was first staged by Sydney Theatre Company in 2013. In this production Uzo Aduba (from Netflix’s Orange Is the New Black) and Zawe Ashton ...

Comment: Remembering and recognition for awards Season in Theatre... including #alsorecognised

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Awards and accolades are a great way of remembering some of the great performances of the past year. Assuming that you can remember them... There is so much stuff that is great to see in London that whittling anything down to a shortlist of three or four seems a tad cruel. Still it is great that there is a small but growing group of awards to recognise. The Oliviers and The Whats On Stage Awards cover the big end of town, but there is also the Also Recognised Awards . It's less glamorous than those two and winners only get to pose with a selfie. Set up by My Theatre Mates Mark Shenton and Terri Paddock , they celebrate lesser-known but worthy talent in fields overlooked by other awards bodies. This year's winners included a number of winners or nominees from the Olivier Awards. But there were also some differences. Bugsy Malone, which lost out to Gypsy for Best Musical Revival at the Oliviers, won for Best Ensemble Performance. Kenneth Branagh’s production of...