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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor
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Miss Atomic Bomb: The Bekkrell Effect @RoundhouseLDN #CircusFest

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French circus troupe Groupe Bekkrell bring their show to the Camden Roundhouse, The Bekkrell Effect. It’s part of CircusFest 2018, which is celebrating 250 years since the invention of the modern circus. Using the discovery of radioactivity by Henri Becquerel, it’s an explosion of movement, working together and apart. They’ve created a world where things decay and disintegrate, including the set... The strength of the piece comes from the unique staging. It starts off as a bare stage with a few things disassembled. There are cables, strings, ropes, boards. Performers Fanny Alvarez, Sarah Cosset, Océane Pelpel and Fanny Sintés undertake rope, Chinese mast, tightrope and tumbling. And they bring all the stage props toghether while performing. Either together or alone. Accompanied by a pulsating soundtrack or the performers own grunts, it’s both funny and fascinating. And they manage to produce some stunning scenes, including for the finale where everything seems to be teetering on the b
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