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Showing posts with the label Winsom Pinnock

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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...
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Mind the gap: One Under @arcolatheatre

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Winsome Pinnock’s play, One Under revisits the aftermath of a young black man’s suicide on the London Underground. The pieces of his life are recreated in search of meaning. It’s a fascinating (albeit slowly paced) tale about a life not lived. Produced by Graeae, which specialises in placing deaf and disabled artists on stage alongside Theatre Royal Plymouth, it’s been on tour before settling in for a short run at the Arcola Theatre . He’s Sonny by name and by nature. But something isn’t quite right. He thinks people follow him and watch him. He has lots of money too. Is he paranoid, or are there darker forces at play? After his death, the tube driver of the train that killed him, Cyrus (Stanley J Browne), goes on a mission to find sense out the senseless loss of life. Befriending his adopted mother and tracking down he is girlfriend at a laundrette, his determination to make sense of it all starts to become an obsession itself. The play underscores that despite appearances, ...
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