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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Manhunt: In Search of a White Identity @TheActorsCentre

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After a summer of protests and counter-protests, In Search of a White Identity looks at what happens next. Patrick and Mickey are in a cell. Both were arrested at the same protest but from opposite sides. Mickey and his like-minded people have a beef with immigrants who have out-priced him at work or on the property ladder. So he hit some guy. And Patrick’s been arrested for threatening behaviour after getting caught up with a group who were trying to take down statues.  While sizing each other up, they realise they’d grown up in the same neighbourhood. Back then, everyone got on. Or so it seemed. Nostalgia gives way to darker, harsher memories of abuse, fear and poverty. And the search for a single cause of their grievances finds that it is the conversation rather than the rhetoric that  makes all the difference. Initially presented in 2019, it has been reimagined after the events of 2020. After all, there was a time over the summer that Saturday afternoon around Trafalgar S...

Signs of life online and in concert...

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While theatre is slowly showing signs of reopening in the coming month I’ve seen my first show indoors. In Italy. A concert. No temperature checks just leave your name and wear a mask throughout the concert. And sit relatively apart from strangers within a small church where the concert was taking place. It was great to see something. Anything. After so many months.  The transmission rates are lower in Italy, and they do appear to be taking Covid19 a lot more seriously than in the UK. Leaving your name and phone number is a requirement. Posters are everywhere reminding people to wash their hands and keep a distance. Indoor spaces are well ventilated. Everyone wears a mask without making a fuss. Hopefully following these simple rules without over-complicating things will allow venues to open up where possible.  Until then, The Public Campaign for the Arts has launched a new online platform, creating an unprecedented support link between UK citizens and their cultural organisat...