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Showing posts with the label Tessa Bell-Briggs

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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor
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Another look at nowt: The Daughter-In-Law @arcolatheatre

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Last May the  Arcola  Theatre presented The Daughter-In-Law in it’s downstairs space. Now is the chance to revisit this piece in its larger theatre. And it’s great to have another look at this simple tale and evocative production about lives against the backdrop of the 1912 miner’s strike.   Transferring from the intimate downstairs space gives the production a bigger audience and a bigger space to work with. And while it loses some of the intense claustrophobia of the smaller space it also seemed funnier. And more shocking. With it’s local dialect and intense relationships you soon find yourself drawn into the life of this Nottinghamshire mining town.  DH Lawrence’s drama, written in 1913, is set a world where money and family are your means for survival.  Mrs Gascoyne (Veronica Roberts) has two sons who are still in her orbit. The youngest Joe (Matthew Biddulph) is carefree and careless living at home. The other Luther (Matthew Barker) has just married.  But the marriage
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From owt to nowt: The Daughter-in-Law @arcolatheatre

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Family ties are strong and stifling in The Daughter-in-Law. It’s a snapshot of working class life against the backdrop of the 1912 miner’s strike. It’s expertly presented in the downstairs space of the Arcola Theatre . It feels as if you’re in the mining cottage as an accidental witness. The performances, drama and intimate space will have you transfixed throughout.  DH Lawrence’s drama, written in 1913, is set in a Nottinghamshire mining town. It’s a world where money is crucial for survival. There are those who have it, those striking for better conditions and those who are bargaining for more of it.  The “daughter-in-law” in question is Minnie (Ellie Nunn). She is a  somewhat independent woman who by chance inherited £100. She’s married to Luther (Harry Hepple) after asking him. After less than a few months marriage, Luther seems to resent his wife’s economic independence to the point that he’s ambivalent to her existence. But it’s his relationship with another woman that sets in tr
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