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More sex and violence: Playfight @sohotheatre

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The funny thing about three girls growing up under a tree is that you never quite know when they're being serious or just messing about. One time, they might be talking about giving blow jobs on a tennis court at school and another, they might be yearning for a connection that they can't quite explain. That's what happens in Playfight, an Edinburgh Fringe Festival 2024 hit currently showing at Soho Theatre .  Writer Julia Grogan doesn't give us much time to dwell on the lives of these three young teenage girls. One minute, they're fifteen and giggling, and then the next thing, they're off getting married or going to University. But underneath all the smutty talk, humour, and quick scene changes, there is a darker underbelly about relationships, power, and consent. It's about finding your way in a complex world that can dehumanise and degrade you. But as things move so quickly, you could blink and miss it. This is too bad as the performances capturing this co...

Let 'em have it: An Inspector Calls @aninspector

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  Stephen Daldry’s enduring production of JB Priestley’s An Inspector Calls is back in London. Catching it this time around - the last time I saw it in 2010 did not leave much of an impression as I had forgotten I had seen it -  had me pondering its enduring popularity. It’s a simple detective story set in 1912. A Detective arrives unannounced to interview a Yorkshire factory owner Arthur Birling ( Clive Francis ) and his family about the suicide of woman. Each scene serves to rub off a little more of the veneer of respectability of their lives. In what could be a tedious premise, the piece starts making you think about broader enduring issues in this country. Soon I found it evoking the polarised politics of the current day, the rise of fashionable far right politics and Scottish independence.