Paul in London

Salt-Water Moon, currently playing at the Finborough Theatre , is like watching a feel-good romantic comedy. Albeit one set in Newfoundland in 1926. You may know where the piece is heading. After all, it is part of a series of plays with the same characters by playwright David French. But it’s the journey of getting there that matters. There’s a tenderness to the story brought to life by two charismatic performances that will have you on the edge of your seat, wondering what will happen next. And not just because of the necessity to sit five abreast on the Finborough’s bench seats.  It’s a clear night in Coley’s Point, Newfoundland, a quiet and remote fishing village, in 1926. Mary Snow is stargazing, waiting for her fiancé to return. However, she is interrupted by the unexpected return of Jacob Mercer. He had left her to go to Toronto a year earlier without even a goodbye, and he seemed determined to win her back.  What then unfolds from small talk and idle chatter about the stars is

Has anything changed in England in the forty years since Paul Keebler’s Not Quite Jerusalem premiered at the Royal Court? A play about a country full of crap towns, no opportunities and a class divide could have been written today. It’s currently playing at the Finborough Theatre and unexpectedly has new resonance about the opportunities afforded to people in this country. Set in 1979, the play centres around Mike, Carrie, Pete and Dave who travel to Israel to volunteer working on a kibbutz. In the pre-EasyJet revolution, that was a thing. They were expecting the trip to be full of sun, sex and beer. But they find themselves instead mucking out cow sheds and working in the sweltering heat. But Mike, a lost Cambridge dropout, fed up trying to fit in understands why he ran away from England. When he takes a liking to the straight-talking Gila who is completing her final year military service on the kibbutz, it leads to an unlikely meeting of minds across cultures. Things come t