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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Death becomes him: Everyman @NationalTheatre

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Judgement day and getting taken to the cleaners takes on a new meaning in this spectacular new take on the classic fifteenth century morality play Everyman at the National Theatre with Chiwetel Ejiofor . It feels like every theatrical trick is deployed during the roughly ninety minutes it takes for one man to account for his life. There  is a giant video screen, dazzling lights, a urinating penis prop. It’s all terrific stuff and an awe inspiring updating of the tale to modern and secular London.