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Showing posts with the label Patrice Naiambana

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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...
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Big Rhythms: The Secret Lives of Baba Segi’s Wives @arcolatheatre

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There’s no subject matter taboo in The Secret Lives of Baba Segi’s Wives. This is a play where the title character’s penis is described as “so big that two men could share it and still be well-endowed.” The characters talk to the audience, throw props at them and emerge from the audience. Detailed and frank depictions of sex and gender dynamics play out before you at the Arcola Theatre . Yet behind the funny and frank depictions of sex, there’s clever storytelling in this adaptation for stage by Rotimi Babatunde, from Lola Shoneyin’s novel. It deftly moves between comedy and drama, past and present without skipping a beat. Baba Segi (Patrice Naiambana) looms large over the piece. He’s a rich business man. But he’s also a buffoon who has three wives. The combination makes him likable even if he cannot believe women can fend for themselves or if he uses his organ on them like a hammer. His first wife had money and was the daughter of his mother’s friend. His second wife was to pay a debt...
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