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Showing posts with the label Lynn Ahrens

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Waiting for Sandy: Milked @WhiteBearTheatre

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Two lads looking for meaning and lots of time on their hands are at the heart of Milked. Simon Longman's play first premiered in 2013. While it may not capture the latest malaises and anxieties affecting post-pandemic youth, it has enough of a familiar ring to it for anyone who has eavesdropped on the thoughts and musings of young people when out and about. And with some lively performances by the two young men, you feel drawn into their bizarre little world as the conversation runs from the routine to the ridiculous. It's currently having a short run at the White Bear Theatre in Kennington.  The premise is that Paul (Iwan Bond) is searching for a job that becomes increasingly desperate. He wants to find a job in media (whatever that is) but has neither the skills nor the experience to do it. And being based in Herefordshire rather than London makes it a stretch to be considered for anything. His mate, Snowy (Evan L. Barker), seems to be on a journey of self-discovery. His fat...
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The cat mashes the hat: Seussical @SWKplay

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Seussical is a mash-up of Dr Seuss stories i nto a musical extravaganza that’s short in length and long on spectacle. It’s 75 minutes of flair, dazzle and fun songs. Perfect for little people, or people with little attention spans. It’s currently playing at the Southwark Playhouse . It’s a condensed version of the musical by Stephen Flaherty and Lynn Ahrens and based on the stories of Dr Seuss. Trimmed from it’s bloated original form, it allows the show with it’s catchy broadway songs to be fun without being too dull or sentimental. This version focuses on the stories Horton Hears a Who and Horton Sits on the Egg. Both of these stories focus on a well-meaning elephant who gets more than he bargained for by the other animals in the jungle. And there’s a girl who gets the “thinks” too much for her own good. The cat in the hat acts as the mischief-making ringmaster. Here he’s played by the mischievously entertaining Marc Pickering. With his deadpan expressions, he only has to look aroun...
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Make them hear you: Ragtime @CharingCrossThr

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Ragtime at Charing Cross Theatre takes the late nineties musical and lifts it into another realm. With a compact cast on a compact stage, everything seems more intense. It is more musical, more melodramatic and more relevant than ever before. The cast double as the musicians. One minute they are singing the next minute they’re on the drums or accordion. Pianos whizz about the stage. Music and drama explode in front of you. There is so much happening (particularly in the frenetic first half) that it is breathtaking. The show opens with an extended prologue introducing the characters and the music of a new syncopation that sets the tone for the rest of the evening. After the rousing chorus that ends it the audience burst into cheers
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