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Showing posts with the label Louis Maskell

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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor
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Laugh yer bastards: The Grinning Man @TrafStudios

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The Grinning Man bursts on stage at the Trafalgar Studios . And even if you’re not sure if it’s meant to be a comedy or an emotional love story, it’s determined to show you a good time. Although the good time is a little on the dark side. As one character comments in this show, “prepare to shit kittens.” If you like that sort of thing then it’s a welcome break from the relentless cheery musical fare around Christmas. The show, based on a story by Victor Hugo throws in puppetry and style. You enter the theatre as if you’re going to see a fairground freak show. Designer Jon Bausor has framed the stage with a giant disfigured mouth. It’s grim, but its the perfect setting for a story about a boy who’s mutilated, saves a baby, makes a living as a freak and then wins over a kingdom. Louis Maskell as the heroic Grinpayne the disfigured boy conveys emotion and excitement of the character. He’s on stage most of the time and is either controlling his younger puppet self or jumping about as the g
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