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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...
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Dad Jokes: Dead Dad Dog @finborough

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So what happens if your dad returns from the dead to haunt you for fun in mid-eighties Edinburgh? The first London production of Dead Dad Dog in 35 years shows that new ideas of the past just become the old things of the present. It’s an amusing concept made enjoyable by the likeable leads in the piece. Written by John McKay, who would go on to find fame in television and film, it’s currently playing at the Finborough Theatre .  Due to cast illness, the second half of this show, Sunny Boy, has not gone ahead. It’s a shame, as the second half was a sequel to the piece set in Glasgow in 2023. And so, while we miss the update, we can enjoy the eighties in all its glory and marvel at the fashion, thinking, and the fascinating possibility that if you died in the early seventies, you would never know who Margaret Thatcher was.  The premise is that young man Eck (Angus Miller) is getting ready for an interview for the BBC in Edinburgh when his father, Willie (Liam Brennan), appears. ...
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Let 'em have it: An Inspector Calls @aninspector

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  Stephen Daldry’s enduring production of JB Priestley’s An Inspector Calls is back in London. Catching it this time around - the last time I saw it in 2010 did not leave much of an impression as I had forgotten I had seen it -  had me pondering its enduring popularity. It’s a simple detective story set in 1912. A Detective arrives unannounced to interview a Yorkshire factory owner Arthur Birling ( Clive Francis ) and his family about the suicide of woman. Each scene serves to rub off a little more of the veneer of respectability of their lives. In what could be a tedious premise, the piece starts making you think about broader enduring issues in this country. Soon I found it evoking the polarised politics of the current day, the rise of fashionable far right politics and Scottish independence.
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