Paul in London

When you chose to see a show called A Super Happy Story (About Feeling Super Sad) , you know that something serious will get an upbeat musical cabaret treatment. But the cast's enthusiasm makes this show about discovering that it is ok not to be ok both compelling and a delight. It focuses on Sally as she comes to terms with understanding what it means to be depressed. From her first feelings of not being there in the moment. To the denials that anything is wrong. To the false dawns that she's made a breakthrough and managing it. And while a show about depression and suicide may not be for everyone, every stage is covered with a healthy dose of curiosity and perspective. And after nearly 18 months of lockdowns, the struggles of young people to find their way and carve out a future for themselves seems even more relevant.  Written by Jon Brittain, it's more of a show than a play. With props on stage and a cast of three that play a range of roles in Sally's life. As the s

The years have been kind to Jon Brittain's Rotterdam. Since its first outing in 2015 the awareness about transgender issues has grown. Whether it is from Caitlyn Jenner or gender-neutral toilets at the Barbican , it's topical and thought-provoking. And following its win at the 2017 Oliver Awards and a run off-Broadway, Rotterdam is back in London. After catching it again it's great to report that it still feels as funny and bitter-sweet as ever. And don't call it a lesbian-transgender-whatever comedy. That would be too binary to give it a label. It's just complicated and that's probably what gives the show its brilliance.

The best thing about the West End transfer of Rotterdam to Trafalgar Studios is the chance to see it again after its sellout run last year at Theatre 503 . Maybe it is just as good as it always has been, but seeing it in the space of Trafalgar Studios 2, the drama seems heightened and the comedy funnier. The piece is a unique and hilarious story about gender, sexuality and drifting through life abroad by Jon Brittain . A combination of great writing and performances make it a must-see. The premise is it is New Year in Rotterdam. Alice has finally worked up enough courage to tell her parents she is gay and living with her girlfriend Fiona. But the email is never sent. Just as Alice was about to send the message Fiona reveals that she wants to start living as a man named Adrian. While Adrian starts transitioning Alice now has to decide what this means for her, and does that mean she is now straight? To add to the complications Alice’s ex and Fiona’s brother Josh is there. And s

Rotterdam is a unique and hilarious story about gender, sexuality and life abroad by playwright Jon Brittain. It is made even more memorable by the strong and tender performances by the leads. It’s having its world premiere at Theatre503 , which is continuing to nurture original new writing in London. It has to be the first “gay play” or perhaps the first "lesbian transgender comedy" in a long time to explore something that feels like real characters.