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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Art Previews: Hugh Beattie's London Ancient and Modern @jhlbeattie @lagalleria

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Opening this week at the Royal Opera Arcade off Pall mall is Hugh Beattie's exhibition called London: Ancient and Modern. The exhibition brings together 30 new paintings by artist Hugh Beattie depicting views of London’s skyline which we do not normally see.  The works contrast the heritage of London and the new architecture of glass. Over 70% of the City of London’s buildings have been erected since the millennium. In Beattie’s canvases, Early Medieval buildings share the cityscape with towering Modernist flats.