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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

When women war: The Lonely Soldier Monologues @cockpittheatre @LSpace10

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The Lonely Soldier Monologues , currently playing at the Cockpit Theatre, by Helen Benedict takes the stories of seven women who served in the US Armed forces in Iraq and Afghanistan. What emerges from this verbatim play is the subtle and none-too subtle methods of discrimination and sexual harassment that they suffer serving in the armed forces. The piece is not anti-war or anti-military; for many of these women the serving in the Armed services was a way to show patriotic duty after the 9/11 terrorist attacks, or just a way off welfare. But it highlights many of the excesses known from the Iraq and Afghanistan campaigns, in war so poorly planned and organised that soldiers had to make do without body armour but could still eat lobster.