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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Big Business: How to succeed in business without really trying @swkplay

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This revival of the Frank Loesser musical is as much about climbing the corporate ladder as it is about giving a fresh take on the absurdity of the office and gender roles.  However, there's also a firm appreciation that this is a musical comedy.  And with an energetic cast with an impeccable sense of comic timing, it's a hilarious and thought-provoking evening.  It's currently playing at the Southwark Playhouse. The show comes from a parody of a self-help business book.  The premise is that a lowly window washer becomes board chairman in a few weeks and gets the girl.  Along the way, there are stupid bosses, sexist colleagues and nepotism.  Only this time, J Pierpoint Finch is played by Gabrielle Friedman.  Depending on your perspective, Finch is either the hero or the antihero of the piece, stopping at nothing in their ambition to reach the top.  Here Finch is more sympathetic as the underappreciated service worker getting a lucky break and a ch...

Colour and Light: Anyone Can Whistle @swkplay

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What’s hard is simple. What’s natural comes hard, so the lyrics in the title song, Anyone Can Whistle. But this production,  currently playing at the Southwark Playhouse , takes one of the more challenging Sondheim musicals and makes it seem effortless and straightforward to enjoy. And they deliver it with endless enthusiasm and panache. It’s a bonkers story about a town that comes up with a miracle to attract tourists and improve its prospects. Up to this point, the only thing going for it was its sanitarium for the socially pressured (otherwise known as the Cookie Jar). These people, known as the cookies, are non-conformists. Yet they seem to be happier than anyone else in the town. But as the show progresses, its none too subtle digs at religion, authority, politics, and conformism can make your head spin about what institution it is taking on.  The best thing is to let much of the absurdist story fly over your head. After all, even Sondheim critiqued it for being too cleve...