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Showing posts with the label George Rae

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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Drain the swamp: The Frogs @JSTheatre

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The search for a great playwright to rescue society seems an odd subject for a musical-comedy. But these are no ordinary times we are living in. A frog called Pepe is now a symbol for the alt-right movement. So now may be the time for a show where frogs appear to be a symbol of conformity, distraction and mediocrity. The Frogs was an ancient Greek comedy from 405 BC by Aristophanes. It became a short musical piece performed in the Yale Swimming Pool in the 1970s by Burt Shevelove. And it is now a somewhat fully fledged musical thanks to Nathan Lane's obsession and fascination with the piece. It is having its UK premiere at the Jermyn Street Theatre .

Comings and goings: Grand Hotel @Swkplay

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Nothing stays still seems to be the key message in this breathtaking new production of Grand Hotel at the Southwark Playhouse . It is constantly moving and the performances, music, singing and dancing combine in what is probably as close as is humanly possible to musical theatre perfection. The musical tells the story of a series of characters from a guided age that feel like they are from an alien world on one hand, but on the other you can’t help see some relevance to the current age of austerity, economic and political refugees and rage against the one per cent .