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Scenes from a marriage: Jab @parktheatre

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Jab takes us back to five years ago when no theatres were open. Instead, it was staying at home watching endless television, clapping for the NHS, mask-wearing and hand washing. Against this backdrop, isolation from a married couple of 29 years slowly drives them apart and to the brink. But while it captures the period well, you want to know more about this couple on the edge. It's currently playing at Park Theatre after its premiere run at the Finborough Theatre last year.  James McDermott's play is loosely based on his parent's lives during the pandemic. It opens with Ann (Kacey Ainsworth) and Don (Liam Tobin) watching the then Prime Minister Boris Johnson inform the nation they need to stay at home. She is an NHS worker, and he runs a vintage shop. As she is an essential worker, she has work to do, but he is forced to stay at home while his shop is closed. There's also another source of tension in that Anne brings in all the income in the household. And so we watch ...

Horse Play: Equus @Trafstudios #EquusWestEnd

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Peter Shaffer's play Equus is given a slick and stylised turn in this English Touring Company production that's currently playing on the West End at Trafalgar Studios . With everything stripped back to the bare essentials, all that's left is a white curtain, muscles and guilt. And the occasion flash or scream. If you missed it earlier this year at Theatre Royal Stratford East, see it now as it's a fresh look at this psychological thriller. The premise of the piece is that seventeen-year-old Alan (played by Ethan Kai with moody intensity), has blinded six horses in a stable he worked in on weekends. Rather than go to jail, he's sent to a psychiatric hospital for treatment.  And where Dysart (Zubin Varla) has to uncover the motive for this madness. Even if it was inspired by a real-life crime, it's rather clever of Schaffer to focus on cruelty to horses in England. Nothing surely can be more shocking in a country that worships the very ground the equine b...

Common divisions: Returning to Haifa @Finborough

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The stage adaption of Ghassan Kanafaniā€™s Returning to Haifa by Ismail Khalidi and Naomi Wallace is fiery and emotional. Itā€™s having its world premiere at the Finborough Theatre . The piece puts you in the living room of a family who had to flee the city of Haifa in 1948, and the family that subsequently occupied it.  The injustice of finding your own home and your belongings legally occupied by someone else is only part of the anger in this piece. It also extends to the staging of it. The programme notes that it was due to have itā€™s world premiere by the New York Public Theatre. But political pressure from their board led to the proejct being abandoned.  But New Yorkā€™s loss is Londonā€™s gain. Even if youā€™re unfamiliar with the events you begin to understand it. It humanises enemies and explains motives. And the sensitive portrayals by the ensemble add to emotional impact. The piece crosses three separate time periods. It opens before the dispossession in 1947. Then the period o...