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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Remote arguments: The Marriage of Kim K @arcolatheatre @marriageofkimk

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The Arcola Theatre's annual Grimeborn Opera Festival opened this year with Leoe & Hyde's The Marriage of Kim K . It contrasts the life of Kim Kardashian and her brief marriage to basketballer Kris Humphries with the different backgrounds of the count and countess in Mozart's opera. But this piece really boils down to who has the remote control in the living room. There is a third couple in the proceedings - Amelia and Stephen. She is a law student and likes to watch trashy television and he is a composer who wants to watch something more challenging. You would think they would get a tablet and headphones and stream like everyone else. But this story was added after composer and director Stephen Hyde fell for his leading lady Amelia Gabriel. So a show about a reality show becomes its own reality show. It's so meta it is enough to do your head in.