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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor

Theatre: South Pacific

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While many of the critics seem to think it has lost something in crossing the Atlantic , Saturday's performance of South Pacific at the Barbican was still an impressive night out at the theatre, and highlights what has been missing from London musicals for a while. Notwithstanding a little lack of chemistry in the leads (and a fully fleshed out characterisation of Nellie by Samantha Womack), South Pacific is an impressive show. The cast give an excellent performance with some very fine singing. There is even a little bit of rear nudity and flesh in this production which no doubt gives a modern updating (and a thrill for the older gentlemen in the audience of a certain persuasion). The work is a marvellous example of how seamless and integrated a story with music can be. While the songs could stand on their own (and most do), there is very little pointless exposition or labouring. The three hours you spend in the South Pacific will breeze by. If only all musicals were this cl

Theatre: Two Gentlemen of Verona

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source:http://www.newstatesman.com It was a long and fascinating story as to why I found myself at the Barbican Friday evening to see Nos do Morro's production of Shakespeare's Two Gentlemen of Verona . For the purposes of the blog I can attribute it to Dame Fortune and the fact that when I saw AfroReggae with Felicity she had a go at all those white men in the audience trying to dance which turned out to be a source of cheap laughs. After reading my blog, Paul suggested I should go and see this production. I should point out that Paul is another Paul and I am not writing about myself in the third person. It's not that kind of blog... Anyway, Nos do Morro's production of Two Gentlemen of Verona is a real treat and full of so much energy that you can't help but like it. It is in Portuguese as well which means that I had no idea what they were saying (and the surtitles weren't a direct translation but rather the original Shakespeare text). But I wasn't going

Music: Favelization

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It had been a while since I had been to the theatre, and so Felicity and I caught Afroreggae 's Favelization concert at the Barbican on Thursday evening. Afroreggae have played at the Barbican a few times over the past few years, but this is the first time I caught them. Afroreggae began in Brazil in the shantytowns (favelas) and the music is a fusion of reggae, hip hop, soul, pop and latin rhythms. In addition to this the music also is a call to action about many of the injustices in the world, particularly among the world's poor and disenfranchised. Of course being in Portugeuse this was lost on me. I checked with Felicity and she was a little rusty on it too. I guess most of the audience may have been in the same boat. While there were projections that accompanied the show the rapid fire words deserved to be comprehended. So after making a mental note to add language course to my new years resolutions, I could sit back and enjoy the concert. It was interesting that despite