Paul in London

Arad’s Curtain Call at the Roundhouse has completed its summer season of live performances. But you have until the end of the bank holiday weekend to see the installation before the silicon rods are packed away. Created by Arad in 2011, it's made up of 5,600 silicon rods suspended from an 18 metre diameter ring. The curtains first appeared in 2011 and returned this year as part of the Roundhouse’s Bloomberg Summer. The live performances with invited guests were part of a series of late night events. Closing the live performances on Thursday were the London Contemporary Orchestra . With a combination of cool music and vocals, it was a reflective and sophisticated musical experience.

Bloomberg Summer at The Roundhouse returns for its fifth year this August with Curtain Call by architect and designer Ron Arad. It is a return performance of this piece after its original outing in 2011. This time around Arad will reinvent the curtain experience by inviting new collaborators to work with him on the 360° immersive installation, alongside returning artists from 2011. The work will be showcased at the Roundhouse from 6 – 29 August 2016.

Opening Sims Reed Gallery’s 2016 programme is an exhibition of chalk pencil drawings by artist Aaron Yasmin. Known for his abstract paintings and elegant colour pencil drawings, in Lucky Strike Yasmin takes inspiration from American cultural history to create a series of striking images. Taking inspiration from Lion Match Company’s mid-twentieth century feature matchbooks, these drawings reflect the rise of America’s consumer culture and how small matchbooks were used as tools to influence purchasing habits. The drawings evoke a glitzy bygone era... When smoking was so glamorous.

Opening this week at the Royal Opera Arcade off Pall mall is Hugh Beattie's exhibition called London: Ancient and Modern. The exhibition brings together 30 new paintings by artist Hugh Beattie depicting views of London’s skyline which we do not normally see.  The works contrast the heritage of London and the new architecture of glass. Over 70% of the City of London’s buildings have been erected since the millennium. In Beattie’s canvases, Early Medieval buildings share the cityscape with towering Modernist flats.

Non Zero One are presenting a work at The Other Art Fair from 15th – 18th October.  They will be performing  Untitled (audio with pen) which is an audio-based piece. Participants are told nothing of what they are going to do. Instead are asked when queuing for the fair whether they are curious... They are then drawn slowly in, until it is too late to turn back, having to continually question how far they want to involve themselves and being encouraged to go beyond the traditional weird stuff set for both theatre and art fairs. Hmmmm sounds like being a writer for theatre and the arts in the social media scene…

Idil Sukan’s debut exhibition, This Comedian , is now at the Embassy Tea Gallery through to 8 March. It is a retrospective of her creative work in production, design and photography in the comedy industry. The varied collection from the last decade includes 200 of Idil's portraits and photographs of live performance.

Syrian-born Sara Shamma's Q at the Royal College of Art is an opportunity to see her work of 10 individual paintings that put together make up a frieze of 16.5 metres that explores the subject of herd mentality and that popular British pastime of queuing. But it is not queuing for the trivial or inane (which is popular in London) but when queuing could be a matter of life or death. Shamma is attempting to capture the change in mentality and behaviour that people at war and under threat experience. Moving from one end of the frieze to the other, images pop out against the flat background using a variety of different techniques to great dramatic effect. Beauty gives way to weariness and death. The lines of people queuing evoke dehumanisation and desperation. Syria is constantly in the news but here the atrocities are second to the dehumanising impact of war. Shamma recently fled Damascus due to the conflict, leaving behind her home and studio and now lives and works in Lebano

Stanley Spencer: Heaven in a Hell of War presents Spencer's series of large-scale canvas panels depicting life during the war which form part of the Sandham Memorial Chapel. It is a rare opportunity to view them up close at Somerset House  and appreciate them for their beauty and modernity. The panels are based on his experiences as a hospital orderly and as a soldier, focusing on the mundane, the banal and his recollections of his experiences of the time. What is astonishing about the works is how they feel so modern yet also from a different time and place. Everyday activities such as cleaning are elevated to a form of spiritual retreat. Realism and dreamlike settings combine to astonishing effect. The altar, which could not be removed from the chapel is recreated here as well to give a sense of the scale of how the pieces worked together.

David Breuer-Weil , who earlier this year was exhibiting in the vast cavernous spaces under Waterloo Station is back with a new show at two art galleries in central London called Heaven & Earth. The volume of his output and ideas at the moment shows with the range of new pieces presented. The exhibition is intended to be shown in two separate spaces, and serves as a contrast the themes on display between the near (Earth) and the far (Heaven).  Across both you will see Breuer-Weil's usual themes of the environment, a sense of belonging and enlightenment throughout. Where the familiar becomes surreal and subjects are found in strange and interesting positions... Sometimes it is as if they are in orbit.

The British Museum's Life and Death in Pompeii and Herculaneum is a wonderful way to start to appreciate the richness and beauty that has been uncovered from these two ancient towns. Over 250 artifacts, some which have never ventured out of Italy are on display and attempt to piece together the ordinary life of the Roman home and the people who lived in them. There are the obligatory pieces of information that explain the eruption, how it engulfed the cities and how those who were not able to flee died. But what is more interesting than the plaster casts and the bone fragments  as others have noted is how you can see firsthand the various lost art forms from the Roman Empire that were rediscovered and reinterpreted from the Renaissance onwards.

David Breuer-Weil from Guy Natanel on Vimeo . London-based artist David Breuer-Weil has taken over the vaults under Waterloo Station with Project 4, an evocative and thought-provoking exhibition about the world, the apocalypse and other social and political considerations. Nothing is small scale here. Everything is big. Most of his paintings are two metres high and four metres long. One giant canvas follows another and as you are drawn into the tunnels under Waterloo Station, they come together to form an impressive spectacle of colour. Interspersed amongst these is Breuer-Weil's sculptures which give the works an added dimension and physicality. Many Londoners will be familiar with his works, particularly his sculpture. Emergence (see below after the jump) was temporarily installed into Hanover Square in 2012 and Visitor has previously been seen in Golders Hill Park, Hampstead.

One of the most famous witch trails in English history, the Pendle witches are recreated in Joe Hesketh's dark and haunting pieces titled A Pendle Investigation. It has been on tour around the country for a while but has come back to London, to coincide with Halloween and give a few lasting chills to commemorate the 400th anniversary of the trials. There is an old pumpkin still hanging around outside the gallery so you may think you know what you're getting into when you arrive. Alas you will be wrong... Hesketh turns witches and Halloween on its head and gives a contemporary perspective to the violent story of injustice, superstition, rivalry and corruption. It's an ambitious project but Hesketh creates some unforgettable scenes layered with imagery. Alternatively beautiful and horrific, she also likes to thrown in the occasional visual puns such as the justice holding two breasts as the whole trial went tits up, just to throw the viewer off guard. There are layers o

A short walk from Oxford Street into Fitzrovia (and near the famous Newman Street Post Office) is The Piper Gallery , and it is currently showing an exhibition of works by artist Francis West. Called Voyages, it is an opportunity to explore West’s voyages through the series of his works on display. Never mind if you find travel exhausting, each voyage reflects West’s experience of locations. Figurative forms that are in different states of metamorphosis feature throughout, along with combining fragments, dreams and memories. The end result is quite fascinating to look at and admire. Le Désert (2008) West was born in 1936 in Scotland. After moving to London he studied at the Chelsea School of Art (1957-1959). His first solo show was in 1973, at the Hamet Gallery on Cork Street and in 1981 his work was included in the Arts Council’s Hayward Annual. Although grounded in reality, West’s concepts blur symbolic forms with fragments from poetry and historic painting.  It is all on

The Serpentine Gallery is currently showing Yoko Ono's To the Light . It is an opportunity to view new installations and films from Ono and escape what has been a busy summer period of sports. One of the things that keeps recurring as a theme is the role of the artist and the viewer, along with perspectives on peace, war and happiness. It is hard not to like an exhibition that makes you take your shoes off and get lost in a maze to the amusement of others in the gallery, or watch a collection of smooth and hairy bottoms move about. As the above video clip notes, technology has finally caught up with many of Yoko Ono's more ambitious ideas and this one is to capture the smiling face shot of everyone in the world. You are invited to sit down and have a photo taken and then it will be posted onto the Flickr page for #smilesfilm . It is bound to have you leave the gallery smiling, unless you are horrified by the results of your mug shot blown up on a giant video screen by the doo

Designing 007, Fifty Years of Bond Style commemorates the designs, fashion and brouhaha that goes with the worlds most successful movie franchise. It is currently at the Barbican before touring the world, and I suspect that other venues will do it more justice than the three confusing rooms of the Barbican; with each less successful than the previous. You receive a stamp for each room and if you manage to find everything you should get a reward. The second area is a showcase for the styles created for Bond villains but all the pieces are behind glass boxes that all look alike and face different directions. You will find the bathrooms before finding all the boxes. And in the third room it is unfortunate that the centrepiece is the ice hotel that looked cheap in the film Die Another Day let alone up close. It is a film in the franchise best remembered for the worst CGI in film history . Given the room also includes a large screen showing edited highlights from it, you will not want

The Serpentine Gallery Pavilion 2012 designed by Herzog & de Meuron and Ai Weiwei is described as an opportunity to inspire visitors to look beneath the surface of the park as well as back in time at the ghosts of the earlier structures.    With its cork surfaces and dark corners what it really is is the ultimate children's playground. It will be hard to visit it without finding screaming children running about, hiding from each other in the dark corners and leaping over the uneven surfaces. There is place for a good coffee, but this year's pavilion is a cork dungeon for the children. The little buggers will love it... It is open until 14 October.  Be sure to also catch the other free exhibition at the gallery itself - Yoko Ono's To the Light which runs until 9 September.

The LondonNewcastle Project Space in Redchurch Street is home to a fabulously frothy and deliciously naughty exhibition of photographer Gerard Rancinan's work called Wonderful World . Rancinan is known for his dynamic and hyper-realistic pieces. Production of one of the pieces on exhibition is depicted in the video clip from French television. It is painstaking and eye-catching work, particularly with half naked models (even if they are wearing cartoon masks and put into positions that echo religious iconography). Wonderful World is the concluding part of his Trilogy of the Moderns. The everyday meets the kinky, pop culture meets street culture and religious icons meet cartoon icons in a series of images that explore the search for happiness (real or drug induced) in a confused and odd sort of world. So naturally it all suits the Shoreditch area well. Beautifully presented with fifteen large images surrounded by props, costumes and other features, it is a lot of fun and tak

Hampstead's Fenton House is currently exhibiting a collection of drawings by London artist Venetia Norris . Norris has taken inspiration from the civilised and beautiful walled gardens of Fenton house and created a series of intricate and detailed drawings of plants and floral arrangements. An individual or pair of plants are captured in extraordinary detail and shading. And the images are a mix of pencil or ink interrupted by occasional lines of gold or silver-leaf (as illustrated opposite). A reflective evening at Fenton House. It runs until 1 July 2012. Be sure to explore the other rooms of this 17th century merchants house (and the the views of London from the roof) to see the impressive collection of early keyboard instruments and porcelain. Also to coincide with Open Squares Weekend and Fenton’s Summer Tea Party, Norris will be holding a number of 30-45-minute drawing workshops on 4th and 9th June 2012 (these will be held at 11.30am, 12.30pm, 2.30pm and 3.30pm on both day

This weekend at the Store Street Gallery in Bloomsbury is the second exhibition of contemporary printmaking, promoting it as an art form. It includes a variety of prints by artists Lisa Denyer, Alexander Gough, Damien Hirst, David Hockney, Max Lowry, Dénes Maróti, Will Martyr, Andy Warhol and Giulia Zaniol . Venetian artist Zaniol's prints (pictured right) uses a two-plate technique that means no print is exactly the same and the results are quite varied and interesting. The exhibition concludes Sunday, but be sure to linger around Store Street to sample the other exhibitions and independent stores in the neighbourhood. An oasis in Bloomsbury and a civilised short walk up from Covent Garden or the British Museum...  

Woman: Oh yes that's my sort of thing Man: What that? Woman: Yeah that's my sort of thing when I'm talking about abstract landscapes...