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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...

Shortwave: Talk Radio @ORLTheatre

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Thirty years on from its first premiere, Talk Radio was a hint about what lies in store for the future of radio. And the future of journalism. It’s an early insight into the media world we now accept where you no longer have to be an expert, you just have to have an opinion. It’s currently playing at the Old Red Lion Theatre. It’s a step back in time to the eighties with this piece. But in doing so its a chance to reflect on the self-loathing monster writer Eric Bogosian created. The controversial, opinionated, provocateur achieving fame and fortune but hating himself in the process seems quaint in an era of various bile-producing columnists and radio hosts. Nowadays to be sacked for being too provocative is a badge of honour; Merely a stepping stone to a bigger book deal or show. So you can be forgiven for not understanding all the angst in this piece.

Carpe diem: Mr Gillie @Finborough

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Poor Mr Gillie. A headmaster at a small village  school railing against the norms and expectations of the time. It's like a poor mans Dead Poets Society... Without the privileged young men, the cliches or the sentimentality. It's funny too which makes this piece enjoyable even if it is a little long. Here life is the pits, and Mr Gillie was the only hope for anyone who didn't care for that. It's playing at the Finborough Theatre and is the first London production in over 60 years of James Bridie's work. It opens with the a judge and barrister discussing the life of Mr Gillie. Mr Gillie and his wife had been evicted from their schoolmaster's house after the closing down of the school. The furniture van was coming to clear out his things but had run over and killed him. Now the  judge and barrister would have to decide whether his life had any point.