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Showing posts with the label Andy Secombe

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Waiting for Sandy: Milked @WhiteBearTheatre

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Two lads looking for meaning and lots of time on their hands are at the heart of Milked. Simon Longman's play first premiered in 2013. While it may not capture the latest malaises and anxieties affecting post-pandemic youth, it has enough of a familiar ring to it for anyone who has eavesdropped on the thoughts and musings of young people when out and about. And with some lively performances by the two young men, you feel drawn into their bizarre little world as the conversation runs from the routine to the ridiculous. It's currently having a short run at the White Bear Theatre in Kennington.  The premise is that Paul (Iwan Bond) is searching for a job that becomes increasingly desperate. He wants to find a job in media (whatever that is) but has neither the skills nor the experience to do it. And being based in Herefordshire rather than London makes it a stretch to be considered for anything. His mate, Snowy (Evan L. Barker), seems to be on a journey of self-discovery. His fat...
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Shortwave: Talk Radio @ORLTheatre

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Thirty years on from its first premiere, Talk Radio was a hint about what lies in store for the future of radio. And the future of journalism. It’s an early insight into the media world we now accept where you no longer have to be an expert, you just have to have an opinion. It’s currently playing at the Old Red Lion Theatre. It’s a step back in time to the eighties with this piece. But in doing so its a chance to reflect on the self-loathing monster writer Eric Bogosian created. The controversial, opinionated, provocateur achieving fame and fortune but hating himself in the process seems quaint in an era of various bile-producing columnists and radio hosts. Nowadays to be sacked for being too provocative is a badge of honour; Merely a stepping stone to a bigger book deal or show. So you can be forgiven for not understanding all the angst in this piece.
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Carpe diem: Mr Gillie @Finborough

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Poor Mr Gillie. A headmaster at a small village  school railing against the norms and expectations of the time. It's like a poor mans Dead Poets Society... Without the privileged young men, the cliches or the sentimentality. It's funny too which makes this piece enjoyable even if it is a little long. Here life is the pits, and Mr Gillie was the only hope for anyone who didn't care for that. It's playing at the Finborough Theatre and is the first London production in over 60 years of James Bridie's work. It opens with the a judge and barrister discussing the life of Mr Gillie. Mr Gillie and his wife had been evicted from their schoolmaster's house after the closing down of the school. The furniture van was coming to clear out his things but had run over and killed him. Now the  judge and barrister would have to decide whether his life had any point.
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