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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Cure for all ills: The Paradis Files @graeae

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The Paradis Files takes you back to the salons of 18 century Vienna. Albeit briefly There, Maria Theresia von Paradis is a star composer and pianist. World-famous in Europe, a pupil of the composer Salieri and possible lover of Mozart, if one believes the gossip. And there was one other thing about her. She lost her eyesight at a young age.  This new chamber opera by Errollyn Wallen uses opera to convey the story of Paradis, both her triumphs and humiliations. She was an object of desire and experimentation. This short piece sets out clearly that she had a colourful life. Being the daughter of Joseph Anton von Paradis, Imperial Secretary of Commerce and Court Councillor to Empress Maria Theresa, undoubtedly helped. But as the family sought to remedy her blindness, she was subject to various “cures” by quack doctors.   Wallen doesn't confine the musical style to any particular period. There are elements of classical music mixed with jazz and percussion. And as a chamber opera, ...