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More sex and violence: Playfight @sohotheatre

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The funny thing about three girls growing up under a tree is that you never quite know when they're being serious or just messing about. One time, they might be talking about giving blow jobs on a tennis court at school and another, they might be yearning for a connection that they can't quite explain. That's what happens in Playfight, an Edinburgh Fringe Festival 2024 hit currently showing at Soho Theatre .  Writer Julia Grogan doesn't give us much time to dwell on the lives of these three young teenage girls. One minute, they're fifteen and giggling, and then the next thing, they're off getting married or going to University. But underneath all the smutty talk, humour, and quick scene changes, there is a darker underbelly about relationships, power, and consent. It's about finding your way in a complex world that can dehumanise and degrade you. But as things move so quickly, you could blink and miss it. This is too bad as the performances capturing this co...

The brown word: Death on the Throne @gatehouselondon

Production poster

We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse.

The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife.

And so begins a puppet battle for the afterlife, adjudicated by an expert in dying on the throne, Elvis. Along the way, there is a visit from the Queen, Margaret Thatcher and the former East German leader Erich Honecker. And a lifesize version of Gandhi who says things that are borderline bizarre or offensive. It’s often a combination of random ideas mixed with random world leaders. Depending on your thoughts on German / English politics and toilet humour, you may enjoy it way more than you should. 

Accompanying the action are a series of songs written by German pop-composer Tobias Künzel and Mark Underwood. Künzel has previously written children’s musicals; and this one seems like a smuttier, poppier version full of non-sequiturs and toilet humour. Whether this show is the sort of show that will have long runs in the fringe is debatable, but it’s bonkers enough to develop a following of sorts. Just don’t think about it too much. 

Directed by Blair Anderson, Death on the Throne is Upstairs at the Gatehouse until 13 April. 

⭐️⭐️⭐️

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