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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

A little less conversation: After Sex @Arcolatheatre


According to research, millennials in rich countries are having sex less these days. But they were prepared to talk more about it. So, it is no surprise to see a story about what happens when a series of no-strings-attached encounters start to become attachments. And the conversations arising from it. Such is the premise of After Sex, Siofra Dromgoole’s two-hander of the conversations afterwards. It’s not particularly sexy or erotic, and the snappy pacing and short scenes sometimes make you wish they stayed longer to finish the conversation. Nevertheless, it is still a funny and, at times, bittersweet picture of single lives in the big city. It’s currently playing at the Arcola Theatre. 


He is bi and works for her in an office job. She is neither ready for a commitment nor to let the office know what’s happening. He isn’t prepared to tell his mum there’s someone special in his life. He doesn’t speak to his dad, so his mum is his world. It’s a perfect relationship/arrangement. Or so it seems. But through these casual encounters, desires, fantasies, and the urge to connect with someone becomes strong. 

The two leads aid much of the tension and the drama. They move about the stage with their lingering looks at each other that seem both intense and provocative. His booming voice makes it difficult not to listen to Azan Ahmed. He has no name in this piece, but nobody will likely forget him. Similar for Antonia Salib. As her, she may admit she let several guinea pigs die, but you feel an affection for this serial guinea pig killer in ways that you probably should not. 


Running for just over an hour, it’s a brief encounter of post-coital discussions. Maybe there’s a future version where things can linger longer, allowing us to understand the characters more. But in the meantime, there’s laughter tinged with a hint of sadness and loneliness in this production. There isn’t much physical intimacy here, but the imagination sometimes runs wild. 

Directed by Izzy Pariss, After Sex by Siofra Dromgoole is at the Arcola Theatre until 3 August. Look out for the pre-and post-show discussions on 25 July. 

⭐️⭐️⭐️⭐️

Photos by Jake Bush


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